From: BHauser121@aol.com Date: Wed, 18 Aug 1999 00:48:17 EDT Subject: Submission: "It's the thought that counts" (X-mas) To: FKarchiver@fkfanfic.com I was very impressed by your page and I wanted to submit this story to the archiver for consideration. This story was written in late 1994 as a submission to the Dead of Winter II: The Night Is Alive "Forever Knight" fan convention (3-5 Feb `95) writing contest. It won second place in the serious fiction category. As always, due consideration is given to the creators of "Forever Knight" and its characters. I intend no infringement of their intellectual or commercial property. "It's the thought that counts" by Brian Russell Hauser Rebecca tapped away as if she was giving the performance of her life in front of an adoring audience. The fourth movement of Beethoven's "Ninth Symphony" pounded in her head as she fed column after column of numbers into the computer at the reception desk. She had purchased this particular CD in the hopes that the quality of the performance would be worth the price of the disc. She admitted that the sound quality was excellent, but was disappointed to find she could hear the most minute mistakes of certain members of the orchestra. For instance, at the most heroic points in the "Ode to Joy" one could clearly hear the triangle tapping off a ludicrous note. In fact, it seemed much too loud for an orchestra's triangle. A huge black hand appeared in front of Rebecca's monitor, snapping its leather-clad fingers. She scooted her chair back in surprise and ripped her headphones off. A handsome blond gentleman in a wool overcoat and rakish three-piece suit stood on the other side of the desk with a bemused expression on his face. His left hand rested near the small silver bell on the counter. "I'm so sorry," she said frantically. "Have you been waiting there long?" "Three rings and one snap," he said through a broad smile. "Not so long." "Beethoven," she explained. "I have an appointment with Dr. Chalmers." "Your name, sir?" "Detective Nick Knight." Rebecca perused his identification and decided that any man who looked good even in a photo ID must truly be handsome. "Yes, I see you down right here. Little late in the evening for a business meeting." Her tone was unmistakably wry. "No rest for the wicked," replied Nick. Rebecca was not certain she followed the detective, but she knew he was playing the same game. She motioned for him to make himself comfortable while she rang for the doctor. Nick gave her another warm smile before settling into a cozy wingbacked chair next to an immense stone hearth. The fire helped to dry the light dusting of snowflakes Nick had accumulated during the walk from his car to the door of the Institute. It was going to be another white Christmas, which invariably caused him to suffer from rapid mood swings. One night he would be full of the holiday spirit and the next day (or the next hour) he would fall into a state of deep depression. Nick would have preferred to simply forego the whole holiday celebration, but every year mortals seemed to look forward to the decorations, the eggnog, the carols, and of course, the gifts. "Detective Knight?" Nick looked up to see a woman in jeans and a thick, wool sweater standing next to his chair. Her eyes were bright and active as they reflected the firelight. He took her hand as he rose from his seat. "You must be Dr. Chalmers." "Lisa, please. If you were here to discuss a grant, I might prefer Dr. Chalmers, but we're here to help you." "Lisa it is." Nick noted her firm grip and that her eyes never swerved from his. "Call me Nick." "Great. Would you like the tour?" "From what I saw of the outside of this place, I think I'd love the tour. But I'm on duty." "Of course. Well, I'm sure Jonathan is ready to meet you." "What can you tell me about him?" asked Nick as they began to walk out of the foyer and into the mansion. "His message was pretty cryptic." "Jonathan DeGrasse. No family. No visitors--present company excepted. He either has a whole lot of money or friends who are willing to help him because his bills are paid on time, in full. I probably don't have to tell you the McNaughton Institute is not exactly bargain basement." "I've heard the fees can run upwards of ten thousand a month." Nick could not suppress a hint of disbelief. "That's correct." "How do you receive payment?" "Cashier's check," replied Lisa. "We bill an accounting firm in New York." Nick was silent as he digested the information. "Can I see the note he mailed you?" The detective raised an eyebrow. "You haven't read it? I thought places like this screened their patients' mail." "Some do. The Institute runs on a different philosophy. We respect our patients' privacy. We give them the key to their rooms and they are allowed to leave whenever they wish. The mansion is at their disposal for the length of their stay." Nick surveyed the magnificent furnishings and tastefully decorated walls, many of which were paneled in highly polished mahogany. "You sound like a very trusting person," said Nick as he handed over the note. "Some would say you're taking an awful risk." "Maybe," shrugged Lisa, "but over seventy percent of our patients commit themselves to the Institute. We're very careful to try to identify the potentially dangerous patients early in their stay." Lisa unfolded the letter and read: Det. Knight, Our first meeting was exquisite. "At length I reached oblivion." I would appreciate a word with you. Cordially, Gabriel Fitz-Hugh "So," said Nick as he returned the note to his breast pocket. "Is Jonathan dangerous?" "No," she sighed, "not when he's Jonathan. But when he's Gabriel...well, Gabriel's frightened me on more than one occasion." * * * The thick hardwood door swung easily and with little noise as Nick pushed it. Beyond was a large room furnished as both a living and sleeping area. A full-size bed with rotund feather pillows lay in one corner opposite a small, round chess table with two chairs. The chess pieces were arrayed in mid-game. A sizable oak dresser flanked the doorway and stacked atop it were dozens of books. The walls of the room were a soft shade of green which accented the darker woodwork. Prints of various works by Dali, DuChamp, and Brauner occupied the spaces between windows and corners, doors and chimney. In front of the brick mantelpiece, two wingbacked chairs, much like the one Nick sat in downstairs were positioned to catch the cozy warmth of the small fireplace. One of the chairs was occupied. "Come in, Detective." The voice was robust and measured, with the slightest hint of a French accent. "Make yourself at home." Nick shed his overcoat, gloves, and scarf, laying them down on a nearby chair. He stepped in front of the empty chair and lowered himself into it. The other man had not looked at him once. Nick fished for words. "You look wel--" The man held up a hand, signaling for silence. "If you are to speak to me, you must wear this." He reached down beside his chair and handed Nick a hat. A Santa Claus hat. "You want me--" Again, the signal. "Nick frowned and then slipped the cap onto his head. It fit well, but he felt silly. He was rapidly undergoing one of his characteristic holiday mood swings. "There," the man beamed, finally turning his gaze on the vampire. "Much better. Now my holiday is complete. I'm sitting in my own room enjoying a nice conversation with Old Saint Nick himself." Knight was less than amused by this tenuous attempt at humor, but was also intrigued by the way this man seemed to emphasize the word "old." "You seem to know me," said Nick, "but I don't believe I've had the pleasure." The man's face turned serious and he shifted his legs beneath his lap blanket. The fire turned his expressions into oddly orange lithographs of human reactions. The scene struck Nick as Rockwellian, but without the innocence. Suddenly, the man smiled again and looked back to the fire. "What did you ask for for Christmas this year, Saint Nick?" "World peace," said Nick flatly, "and some socks." "Still the charmer, Saint Nick, after all these years." Knight hated being in the dark. There was enough familiar about the man to keep him in his seat, but the detective was rapidly running out of patience. He fidgeted in his chair and the fuzzy white ball of the Santa Claus hat fell across his nose. Nick batted it away. "At length I reached oblivion," said the man quietly. "Don't you remember? Or are you becoming forgetful in your old age?" The phrase had plagued Nick ever since he received the note. It sounded familiar, but he couldn't place it. He thought it might be a literary allusion because of the way it was set in quotation marks in the letter. He couldn't find the reference. But the word "exquisite" was also ringing some dusty bells in his memory. "I'll give you a hint," said the man. He swept his arm as if presenting the room to Nick for the first time. "We're amongst some of the very same people now as we were then." Nick looked around warily but only reconfirmed they were alone in the room except for the fire and the furnishings and...the paintings. Dali. DuChamp. Brauner. Nick's gaze fell on a disturbing painting of a faceless, horned figure holding a disembodied eyeball between its thumb and forefinger. Victor Brauner's The Last Journey. Knight remembered them. He had last seen them all at a studio party in 1938. It was one of the many parties held by the enclave of artists and poets calling themselves surrealists. They were playing one of the surrealist games, "the exquisite corpse." The game involved each participant contributing randomly to the formation of a sentence. Yes, that was it, Nick thought. At length I reached oblivion. The quotation in the note was the last expression formed by the group. The game ceased because Brauner got up to stop an argument between two other guests and in the ensuing struggle, Brauner lost his eye when a bottle struck him in the face. Nick had wanted to stay and calm things down, but another guest had threatened to make the party even more memorable. A young man had reacted violently to Brauner's injury. No one else recognized the signs, but Nick was all too familiar with the vampire bloodlust. He was feeling a bit of it himself at the time. It was all he could to repress his own hunger and pull the reckless vampire out into the summer night. He recalled chiding the newborn for his lack of discretion and throwing him into the street to find his repast elsewhere. Now, as the pieces began to fall lazily into place, Nick recognized the man in the other chair. "Why, Saint Nick," he exclaimed dramatically, "you seem to have had yourself a thought." Indeed, Nick thought as he slipped off the Santa hat, and an odd thought at that. The vampire he had thrown out of that studio party had been young, not only a vampire newborn, but also a young man when he was turned. His hair had been full and long, but his beard was virtually non-existent. His skin, though forever dead, had appeared soft and fresh. The man sitting across from Nick was in his late thirties, sported an immaculately trimmed mustache and goatee, and his hair was thinning noticeably. Yet, the eyes were the same. Older, perhaps. But that was it, Nick decided; that was the crux of the issue. He was older, and he shouldn't have been. Nick Knight had been a vampire for centuries and he looked the same as when he was brought across. LaCroix looked the same and he had been made long before Nick. Yet Jonathan, or Gabriel, looked perhaps twenty years older than when Nick had seen him last. Vampires don't age. Only humans... "You're human." Nick spoke softly, squinting his eyes. "Bravo, Detective." "How?" Thousands of emotions swirled within Nick and none of them had anything remotely to do with Christmas. The man took a deep breath and let it out slowly. "You found a cure." "I prefer `reborn' to `cure'. I was reborn. Dr. Chalmers is trying to cure me. Do you distinguish the difference? It's all a matter of identity." "Nick stared at him. The tension began to slip away. His reason took over. "You're not going to tell me, are you?" "No." Nick stood up and paced before locking his gaze on the man's. "I could make you tell me." "Of course you could." He set aside his lap blanket and stood up to confront the vampire. "Is that what you want?" Nick let his will press into the man's head, but quickly withdrew and turned away. He clenched his fists and stared at Brauner's painting, trying to regain his composure. "Why did you ask me here," he growled. "To taunt me? Is this amusing to you?" "Not in the least," he said. "Nicholas, I asked you here because I wanted you to know." "What? That you're mortal and I'm not. Thanks." "That it's possible. That's what's important. I know you've searched for a long time. It's worth it, I tell you. You can be human again. You will, I'm sure. And a better one than I." "And why's that?" "Because you're halfway there already. When I was a vampire, I played the part every minute of every night. I was so wrapped up in the unlife that I forgot what it meant to be human. I forgot about real beauty and real friends and just getting along. My life was darkness and intrigue and power. I made alliances with vampires and fed off of humans. No friends and too many foes." The man sat back down and looked up at Nick. "But you're different from me. You live with them. You work with them. Your job has dedicated you to serving and protecting them. You love them. You only play the role of vampire when you must and even then it repels you. Oh, Nicholas, you are even now more human than I will ever be." Nick leaned against the mantelpiece and stared into the fire. "What am I supposed to do?" "Search as you have. I found my solution in the very script of the problem. I suspect it is the same with us all." Nick tried to think coherently, to discover the solution right there, but his thoughts were a jumble. A heavy sigh escaped his lips. He turned to grab his things before leaving and stopped as he opened the door. "Is it worth it?" asked Nick. "Of course, Nicholas." Gabriel smiled warmly. "Never doubt that." Nick smirked and nodded. He stepped through the door, but turned when Gabriel addressed him again. "Saint Nick." The vampire snatched the hat from the air. "Merry Christmas." "Yeah. Merry Christmas."