From: "Tim Phillips" To: FKarchiver@fkfanfic.com Date: Wed, 20 Oct 1999 09:49:44 -0500 The copywrite on this story is mine, but I give permission to archive/post it with other fan fiction so long as no fee for viewing it is charged. The copywrites held for the characters/situations borrowed for this story are held by other people and should be respected as such. Comment/feedback is welcome at timp@dec.anr.state.vt.us The Lady Of The Knight Episode 1: A New Beginning The Names are the Same. The Circumstances are Not. Consider this a replacement for DARK KNIGHT (the series premiere) MONDAY June 12th 2:22 a.m. The 1962 Cadillac pulled up and double- parked on the street beside the Raven; in the pandemonium of the moment, no one seemed to notice. Detective Nicholas Knight pushed open the door to the convertible and stepped out warily. In the distance, he could hear approaching sirens. Shortly, there would be many officers on the scene, but Nicholas had to face the next few minutes alone. Knight left his pistol holstered, but he did unbutton his black leather duster so he could clear the firearm quickly if he needed it. He then deliberately folded the wide bat-wing collar down so it didn't obscure his peripheral vision. A knot of excited people were milling around the opening to a dark alley that ran alongside the Raven. Knight moved toward that gathering. His adrenaline was up - there was no such thing as a "routine" call to a homicide scene - but intellectually he knew the greatest danger was from the public to the evidence at the scene, not from someone to him. Knight didn't bother to identify himself. He merely said "excuse me" and shouldered people aside until he was in the alley and at the front of the crowd. One glance showed that the description called in was correct and that the arriving ambulance crew would have little to do. Knight had lost track of the bodies he'd seen. This one, however, was unique. A man lying on his side, curled around a varnished wooden stake driven clean through the torso to protrude through the chest and back. Knight looked deeper into the shadows of the alley It was empty. There was no immediate danger here. Just a homicide to be solved. He was jostled from behind by someone and ignored it. Public curiosity was a fact of life. People were keeping their distance from the body. In a few minutes, uniformed officers would be present. They'd have an easier time establishing order than Nick would in plain-clothes. Knight squatted beside the body and pulled a flash-light from his jacket pocket. He flicked the light on and a strong hand grabbed his shoulder. The man who had grabbed his shoulder bent down. "Whoa. Don't touch. This is a murder scene. The police are coming now." Knight looked up at the man and flicked his badge-wallet out and put the flash-light on it. The gold of his shield gleamed cleanly in the night. "I am the police," Nick said. The man glanced at the badge and took his hand from Knight's shoulder. "Sorry," he said. Knight shook it off. "No problem. You were doing the right thing. Did you see anything?" The man shook his head. "No. Not that matters. Just heard there was a body in the alley," he smiled weakly, embarrassed by his own weakness for spectacle. Nick nodded. "OK. Just stand back a bit." Knight turned back to the body. He wasn't a forensics specialist and he wouldn't touch anything to preserve the scene, but he could look. And this was weird enough to engage his curiosity. He'd never heard of someone being murdered in Toronto with a wooden stake. Beaten to death with a frozen chicken, yes, but staked like a movie vampire no. This was Nicholas's first shift on nights. And a hell of a weird first homicide scene. The victim was a man. Solid shoulders and build. He looked in his fifties with creases still visible in the slack face and silver at the temples. He was dressed very well. A high- quality tailored suit in dark blue with a slate grey vest. The buttons of the vest were unfastened and under it was something that added to the unusual aspects of this scene. A four- inch wide leather belt that circled the body at the lower rib line. The belt had loops, suspending polished wooden stakes - that look suspiciously like the one driven through the body. Nick flicked the pool of light thrown by his flash-light around and spotted a framing hammer. The long handle and heavy head gave a person the ability to drive thick framing nails with only a couple of blows. So what had happened here? Suicide definitely was out. But, how had someone held what looked like a physically fit man down long enough to drive a stake clean through his body? Injected him with a drug of some form? And then it registered with Nick that there was very little blood. He rocked back on his heels. The stake was punched through the upper left side of the chest. It should have hit a lung or the heart or a major artery somewhere. There should be a pool of blood on the ground. There was blood on the stake, but very few drops on the ground. And, there was blood on the starched white collar. Nick leaned closer and found two pucture marks on the side of the throat. The marks weren't from a hypodermic needle; they were too big. It looked like some had driven a pencil twice into the man's throat. Blood was tracked along the skin from the marks to disappear under the cloth covering the shoulder. Sirens were pulling up in front of the Raven. There were the familiar sounds of the Metro Police establishing their authority and clearing people out of the area so they could do their jobs. Nick stood and stuck the flashlight in his pocket. He'd requested a transfer to the night- shift because he wanted a change in his life. If this is what happened on the first night, what would the end of the week bring? MONDAY June 12th 2:35 a.m. There were places in Toronto that Nicholas thought of as lower. Places where the earth stretched under your feet and you sank downwards into the city's fabric. Sometimes, the fabric tore and people disappeared into Toronto never to be seen again. As you walked deeper into the Raven, you sank further toward the bowels of the city. There was Hunger hiding in the nightclub twilight. An active caution blurring toward fear was in Nicholas's stomach as he walked back into the Raven, moving between dancing couples as he sought the club's rear wall. No one was overtly hostile. No threats. No taunts. Just men and women in an alcohol and sex lubricated confusion of music and night-club lighting. There was nothing to overtly cause fear. But something in this club had always rubbed against Nicholas's instincts. He was on edge, but he had long years or experience as a Metro cop doing things that the animal mind was afraid of. Nicholas was going between two tables set near one of the roof pillars when a young woman in a typical Raven black outfit took his arm. "Hi, handsome, don't brush by." Her face was seductive hungry. It troubled Nicholas that he wasn't certain exactly what she was hungry for. Her companion - another young woman - recognized Nicholas and put her hand on the first woman's shoulder. "Don't trouble him. He is LaCroix's painter." The first woman rose to her feet. She had to tilt her head back to look upward into Nicholas's face. "Are you really the painter of The Moon," she asked with a voice now intrigued rather than hungry. "Yes." The woman removed her hand. "Stop by before you leave," she offered and resumed her seat. Nicholas nodded and continued. At the back of the club, sitting at the wide bar, Nicholas found who he sought. LaCroix and Janette. Sitting, as normal, before Nicholas's own painting - a portrait of the moon almost six feet square. It loomed above the back of the bar, full and ancient. It was Nicholas's first commissioned work. When he had accepted the commission, Nicholas had voiced doubts to LaCroix about how good a painting it would be. Here, in the Raven, Nicholas was struck himself by the power of his own work. "The Moon" was dominant, looming in an expanse of black wall prepared expressly for it. It had been the first time Nicholas had used a luminescent paint - at LaCroix's insistence. Subdued side-lighting waxed and waned to charge the luminescent aspect of the paint. At this moment, the side-lighting was off. "The Moon" glowed with a pure white hue around the dark pits of the lunar seas. A harvest moon, deep in the Fall, awaiting Winter's mindless approach. The moon loomed over Laqouix and Janette, as if to fall down upon their heads. Both Janette and LaCroix stood as Nicholas stopped before them. "Nicholas," LaCroix purred out. "It's been so long." He offered a cool, pale, bony hand. LaCroix was dressed in raven black. There was an predatory aura about him: self-confidence, power and a contempt for those lesser than himself. Janette wore a black, richly texture evening gown with the ever present plunging neckline, complimented by a black ribbon choker. Janette leaned in so close she touched Nicholas' arm with her soft breasts and kissed Nicholas on the cheek. She leaned back and gestured at the bar with a fluid hand. "Something to drink?" Her voice had a smokey lilt that was seduction. Nicholas felt the familiar sexual surge, when in Janette's presence. But, the mental images were wrong. He didn't visualize her body moving; her face working in excitement or effort. Instead, she glided in and out of shadows; eyes penetrating and controlling, and Hungry. Nicholas shook his head. "No. Thank you. Unfortunately, I am here on official police business. I am the chief investigating officer of the homicide in the alley." LaCroix sipped from an elegant goblet of red wine he held. Janette said nothing, just waited, idly playing with her own glass of wine, standing closer to Nicholas than she had to in the space LaCroix seemed to keep open around them. "I'm letting you know as a courtesy that we need to talk with everyone on your staff that may have been in that alley tonight, and we might need help identifying customers who've been in tonight." LaCroix eyes were very sharp and his voice taunting. "And we should tell you anything we know .... before you find it first?" Nicholas exhaled. He reminded himself that many club owners looked upon a police presence around their business as deliberately threatening. "I don't suspect anyone yet, I just barely got here. But, yes. It would look far better for your business and yourselves personally if you tell me about anything you think might be connected to this." "Nicholas," Janette responded. "You know this club operates legally." She glanced at LaCroix. "I have no wish to scare away my clients. I will make sure you are helped, if you make sure that you are appropriately discrete." It was a standard offer. "Deal," Nicholas said easily. Janette smiled and Laqoix shook his head in a gesture of mild annoyance. "There is nothing here, Nicholas," LaCroix said. "You are looking for nuggets in an empty mine. The first anyone here knew about that killing was when the door-man found the body." Nicholas lifted an eyebrow. "You seem very sure of that." LaCroix turned to look Nicholas directly in the face. "Yes, I am. But, I can see that you will have to prove that truth to yourself. So ask your questions and conduct your investigation, as you must. In the end, you will see that I am right. LaCroix smiled a superior smile and drifted away through the crowd toward the Raven's back rooms. Janette put a soothing hand on Nicholas' arm and leaned so her lips were closer to Nicholas' ear. "Please don't be offended by LaCroix. He is having family difficulties." Nicholas was surprised. "LaCroix has family?" Janette tilted her head to the side a little, showing Nicholas a new angle. "We all have families, Nicholas. Of one form or the other. And all families have their problems." Janette swirled her wine and sipped from the glass, lowering the crystal goblet to draw attention to the cleavage her low-cut dress exposed. She spoke with her lips still rose from the wine. "Now," she said, "what can I do for you?" MONDAY June 12th 2:50 a.m. Nick Night leaned against the door of his Cadillac and sipped a thermos cup of iced coffee. It was home-brewed. French Vanilla beans ground that afternoon. A combination of sugar, cream and caffeine guaranteed to keep you moving. Nick had slipped a spare thermos into the Caddy this evening. The last thing he wanted was to be less than sharp his first night working for a new boss. The Toronto police machine was humming along in its customary fashion, smoothly. Uniformed officers had secured the murder scene and were canvassing for witnesses, taking statements as necessary. Captain Stonetree - the night homicide commander - would normally have come out into the field to see a murder scene this unusual. Tonight, however, Stonetree was caught in a budget planning session and the call came down that Nick was in charge of the scene. That meant Nick had to handle coordinating things; basically stand around and waiting for people to arrive who needed to be involved. When a white minivan with a discrete FORENSICS along the door pulled up, the last and potentially most important people were present. Nick set the top of his thermos-bottle on the dash of his Caddy and moved toward the FORENSICS van. The sliding rear door opened and a woman stepped down, the night coalescing around her. Alabaster white skin with long flowing reddish brown hair past her shoulders. Graceful, efficient movement. Wearing tan slacks and jacket, a white silk scarf wrapped around her throat. She looked at Nick and her eyes went wide with recognition. She opened her soft red lips to speak, then caught herself and looked confused. Recovering her composure, she held out her hand. "I am Natalie Lambert, Medical Examiner's office." Nick found his tongue. "Detective Nicholas Knight, Metro Homicide." He clasped her hand gently. It was cool but soft and there was no wedding ring. "You're new on the night shift?" Lambert asked with certainty. Nicholas nodded. "I just moved from days." Natalie smiled, flashing white teeth. "For a moment, I thought you were someone I knew. Almost made a fool of myself." "I would think that would be difficult to do," Nicholas said. Lambert accepted the compliment with a smile. "This is Marcus White and Evie Tacker," she introduced the other people from the van. "Where is the victim?" Nick gestured to the alley. "This way." He lead Natalie past a bored uniformed officer into the alley while the two forensics specialists gathered up equipment from the van's cargo area. Natalie had her own small light. She flicked it on and played the beam over the body, tracing the stake with the light. "Well, that was fatal if nothing else was," she commented and removed a Dictaphone from her pocket. She gracefully settled her bottom on her heels and started listing the body's appearance. Nick could have waited beside the Caddy, but instead he stood just out of Natalie's way, listening to her confident tones. The two forensics specialists hustled into the alley. They carried large electric lanterns that were almost flood-lights in power. With these, the alley was brightly illuminated in pools, with deep shadows where the lights didn't reach. Natalie had delicately opened the victim's vest with a hand encased in a surgeon's glove. "Did you see these stakes?" she asked the dark shadow that was Nick. He stepped forward and settled beside her. "Yes, but not as well, I didn't want to disturb any evidence." Natalie shook her head. "How strange." She picked up a limp, oddly-shaped hand and showed it to Nick. "He didn't die easy. Most of the bones in his hand are broken." "I can not believe he just stood there and let someone pound a stake through his chest," Nick noted. "Probably true," Natalie said. "What about the lack of blood?" Nick asked. "Shouldn't there be more from a stake through the chest?" Natalie glanced over at him with approving eyes. "Not necessarily. A lot of the bleeding would be internal. Once the heart stopped beating, there wouldn't be any pressure to force blood out the wounds past the stake itself. I'm sure I'll find a sizable pool inside the chest cavity somewhere." The forensics people were sweeping up along the alley with the big lights, leaving Nick and Natalie in the twilight created by the street- lamps. "Did you notice the throat-wounds?" Nick asked. "Yes," Natalie said and waited. "Any idea what caused them?" "Hmm," Natalie considered. "I'd suspect an ice-pick or something similar from the size. When I get a chance to examine the wounds in good lighting and with the proper tools, I should have a better idea." A camera flashed at their backs. Nick stood up quickly and blinked into another flash. Natalie gasped and put a hand across her eyes. Press reporters stood at the entrance to the alley, photographing around the officer standing there. Nick sighed and glanced at Natalie, who was blinking rapidly. "Time to earn my paycheck." "Better you than me," Natalie said, appraising Nick as he started walking toward the photographers, confident, balanced and attractive. MONDAY June 12th 5:15 a.m. Nicholas leaned against the doorjam to Captain Stonetree's office. "We don't have a lot of leads on this one. The door-bouncer at the Raven said that a "young blond woman" told him there was a body and to call the police. Whoever she was, she didn't stick around. Everyone we talked with said that they heard there was a body and they went outside to see it. "There was no ID on the body. We're going to have to run the finger-prints through the Index. "The Medical Examiner's office is giving this one a high priority." Captain Stonetree's chair creaked under his body weight as he leaned forward and held up a thick finger to pause Nick. "Who did they send?" "Natalie Lambert." The Captain nodded, pleased. "Good. She's very good at her job. She's good at these weird cases. Seems to have a sixth-sense about finger-print locations and causes of death. If she tells you something, trust it," he ordered. Nick nodded. "OK, I'll keep that in mind." Stonetree looked at his watch and shook his head. "Let me make a quick call." He reached for his phone and hit one of the speed-dial buttons. "Hello, this is Captain Stonetree, is Doctor Lambert available for a moment? .... Fine, I'll hold." The Captain flicked his eyes at Nicholas. "Sorry. Need to catch her before the doctor leaves for the night." He tucked his head back down to the phone. "Good evening, Natalie. This is Stonetree. There was a homicide tonight, a man with a stake through the chest....are you handing the examination yourself? Okay, then. Could you take a look yourself? We don't have much to go on this case ... Ummhmm. Well, I could ask for more, but I'll take that as good enough. Thank you, Doctor." The Captain hung-up gently. "Natalie will take a quick look before she leaves. If she finds anything, the earliest she can do anything substantial is tomorrow night." Nick lifted an eyebrow. "I didn't think we were that busy tonight," he pointed out. Stonetree shook his head. "We weren't, but sun-rise is at 5:55 today." He saw the puzzlement on Nick's face and realized that he had made a rare slip in assuming things were known. "Sorry. I've known Natalie long enough that it is as much a part of her as her eye color. "Unlike you or me, Natalie Lambert HAS to work the night-shift. She suffers from a rare skin disorder. Her skin and eyes are incredibly vulnerable to sunlight. The good doctor only arrives after sundown and always leaves well before sunrise. She's stayed a few times later to handle real emergencies. Always, she's ended up having to stay the day in the morgue were there are no windows." "Interesting," Nicholas said, intrigued with the personal knowledge. The Captain hadn't gotten to be head of Metro Homicide by missing small details. He caught the nuances Nicholas put on the one word he spoke. "That information should be handled with care, Detective. Doctor Lambert doesn't hide her condition, but she also doesn't spread it around or expect much sympathy from it. Treat it with the same respect you would show if she had cancer in remission and don't expect her to be about in the day." Nicholas nodded. "I understand." He deliberately adjusted his voice and stance to convey that he took the Captain's warning about guarding Natalie's privacy and professionalism seriously. The Captain leaned back in his chair and interlaced his fingers behind his head. "Now. Back to the case at hand. Anything else of interest?" Nick nodded. "It looks like the killing was done elsewhere and the body dropped in that alley, which would explain why no one heard anything." "Why?" "No blood anywhere in the alley except a little bit right under the body. Guy was staked through the chest. Should have been blood all over the place. FORENSICS found only a few drops right around the body itself. No blood trail in, no sign in the area. I think it points to a separate crime-scene somewhere." "Gonna be tough to find," the Captain stated. "But, you might be right. Let's wait for the forensic report first. If there is a lot of missing blood, we'll put out a patrol- bulletin and hope someone finds the scene for us." "Won't be worth much after time, but I have no other ideas to offer," Nick said. "Definitely an unusual first case," the Captain observed. "I had assumed that most of the cases on nights are not this obtuse." "Fortunately, no. They usually are pretty obvious and more pitiful." And, on that depressing note, Nicholas understood the meeting to be over and left the Captain's office. MONDAY June 12th 6:10 a.m. Nicholas Knight closed the folder on his latest murder investigation and leaned back in his desk-chair. The folder was depressingly thin. Not much to show for his first night's work. Some nights were like that. Nicholas had left good officers on the day shift with cases that he couldn't solve, ones that he doubted ever would be solved. Despite the best efforts, some people in Toronto DID get away with murder. An officer could give himself ulcers with obsession about that very fact. Nicholas glanced at his watch and decided it was time to start working for himself instead of Toronto. He picked up the desk-phone and called down to the Morgue. He recognized the voice that answered. "Good morning, Rob, it's Nick. Got a moment?" Doctor Robert Turner worked for the Medical Examiner's for the day-shift. An acquaintance of Nick's worthy of some trust. "Sure, Nick. What's up?" "There is a doctor on the evening shift. Natalie Lambert. Know her?" "Sure, very proficient, couple of people on staff swear she can see finger-prints with the naked eye." "That would be the woman," Nick confirmed. "What do you know about her personally?" There was a moment's silence. "Interested?" Robert said. It was being nosy, but Nick understood the rules, Quid Pro Quo. If he acknowledged his interest, Robert would give him more precise information. In time, Robert might spill this personal information to someone else, but it would take a while. "Yes," Nicholas admitted. Robert sounded satisfied that he had obtained this confession. "Well, I can tell you a little bit. Natalie is pretty closed-mouth about her personal life. She IS single. Has a cat named Sydney that she dotes on. I think she has family here in Toronto, but she doesn't talk much about them. She likes movies a lot. She is on some really weird liquid diet for health reasons." "What's her taste in music?" "Don't know. The person to really ask is Grace. She's a forensic assistant that works with Natalie a lot. They seem to spend time chatting. But, Grace will probably be protective. Most females are of their friends." Nicholas smiled, knowing Robert was also grinning. Men were as predictable in their behavior as women were. "Want me to talk with Grace?" Robert asked. Nicholas shook his head. "No, thanks. I can do it myself. I just didn't want to embarrass her and me, if she was married or had a significant other." "The way should be clear," Robert said. "Anything else?" "No, I think that does it, thanks." "Good luck," Robert offered before he hung up. Nicholas put the phone down and considered. There were many ways to announce your interest. Nicholas considered Natalie a classy lady. He couldn't deny the pull he'd felt when first meeting her. This wasn't something he wanted to make a mess out of up front. He had yet to find a woman who disliked receiving a bouquet of roses. Nicholas picked up the phone and dialed an outside line and the number of a floral shop that he knew did deliveries, and showed the finicky attention to detail he wanted. MONDAY June 12th 6:35 a.m. The top was down on the 1962 Cadillac and Nicholas enjoyed the heat of the morning sun on his hands and face. His stomach growled, and despite having been awake all night, he wanted breakfast, not dinner. Idly, he wondered how long it would take until he acclimated to his new work- schedule and wanted steak or pizza in the morning instead of a bagel or french-toast. He had resolved to push that acclimation along by adhering to a "normal" schedule. The Caddy purred along. Nicholas was outbound in a city of traffic moving inwards. Slowed by the morning traffic, he still made it home to his loft with less delay than when he worked the day-shift. Fatique hit Nick as his garage-door was closing and he stepped out of the Caddy. He went up the elevator to the living quarters in the old converted factory. The broad windows let in the morning sun with what was suddenly a fierce brightness. Nicholas's eyes were tired, the adrenaline and concentration of a shift on Homicide was making itself known. Adjusting to sleeping through the day might be easier than Nick had first thought. He found the remote and powered down the window shades, throwing the loft into deep night except for the pool of light from a lamp. On the table holding the lamp he put his pistol. He shrugged out of his shoulder leather and draped it across a seat-back and added his jacket and shirt to the pile. Nick wore soft Kevlar body armor under his shirt. He took this off and tossed it onto the pile, leaving him only in the mesh undershirt he wore to keep the armor from sticking to his skin. He walked in to the small kitchen and opened the refrigerator. Decisions, Decisions. Nike found a chilled bottle of wine and a glass and poured a couple of fingers to sip from while he figured out dinner. Something light. There were fresh salmon steaks in the fridge. Nike put a couple in the oven to broiling and set about making a sizeable salad holding a little bit of everything in the fridge that looked reasonable. The steaks started to sizzle slightly. Nicholas took the salad and crossed the loft to the area he painted in. A 4x3 foot painting sat on the easel. A three-quarter moon against a velvet black of night. There were numerous portraits of the moon scattered about the loft. This was the biggest. It had taken Nicholas time to get the painting of the marias - the luna plains - proper. There were several smaller lunar scapes that Nicholas would have destroyed except for the effort that had gone into their creation. Nicholas stood, savoring the crisp greens in the salad while studied the lunar scape and waited for the salmon steaks. Idly, he wondered if a year or two of working nights would see him painting the sun as obsessively as he painted the moon now. TUESDAY June 13th 12:05 a.m. Nicholas stopped at the front desk and collected the paper-work that had accumulated through the day. Almost all of it was routine forms needing his signature or some detail. Near the bottom was a clipping from the Toronto Morning News detailing the stake-murder he'd handled the night before with quotes from him as the police representative on the scene. Nick speed-read through it. His quotes were high-lighted in yellow and the clipping bore a sticky from a department PR officer that complemented Nick's handling of the situation. Nick didn't keep a scrap-book, but he was pleased at how accurate the reporting was. Some of the detectives had adversarial relationships with the press, Nicholas tried to do more than merely tolerate them. The reward was - usually - more informed reporting and a tendency for the press to grant requests for special handling of difficult cases. Under the clipping was a roll of film. A pen had been used to write on the label "Nicholas Knight. Evidence. Murder at Raven". Nike was puzzled. Where had this come from? Forensics would send him developed photographs, not a roll of film. Was this some practical joke? A razzing for the new guy? See how much of a fool he made over himself about a blank roll of film? Nicholas had seen that sort of thing. Had engaged in some of it himself. Before you trusted a man enough to have him back you up with your life on the line, it was good to know how he handled the little stresses of life. Well, before it went too far, it would be good to see if there was anything at all on this film. Nicholas had just enough time before evening muster to drop it at the Film Lab. And if he indicated it was important, he'd have the developed frames in an hour or so. If the frames showed anything interesting, he'd start investigating where the film had come from. TUESDAY June 13th 1:30 a.m. Grace smiled as she entered Natalie Lambert's examination room. The bouquet of red roses was very prominent on the desk. In a beautiful white vase that Grace had never seen before. Natalie's admirer had had the class to include a vase. Grace was pleased that he was both romantic and thoughtful. Natalie was standing over a man's body with the chest split-open, hands red with blood. She looked up. Grace had long realized that Natalie had very good hearing and paid attention to what was happening around her. Natalie was the only pathologist that you couldn't sneak-up on. Natalie's hair was pulled back and she wore a baseball cap at a jaunty angle. She wore no make-up on her very pale white skin and there was a distinctive shine of moisture on her upper lip immediately below her nose. Grace knew that was Vicks Vapor-Rub. Natalie had confided that she had an iron-stomach except for unpleasant smells, which the Vapor-Rub masked neatly. Grace pointedly walked over to Natalie's desk. "Very pretty," Grace said. "Any note?" Natalie smiled with indulgent pleasure. "Yes. Top drawer, center." Grace had been told there was no note. Natalie was letting her in on a personal secret that she was withholding from the rest of the night shift. Grace opened the drawer and found it. Elegant. Thick expensive stock with a message in calligraphy so precise Grace doubted that the sender had done it himself. It read: I Like what I see. Come Watch the Moon with Me Detective Nicholas Knight Grace set the card back into Natalie's desk. "Know him?" Grace asked. "Met him last night, on a case," Natalie said. She was working again, splitting her attention to talk with Grace. "Potential?" Grace asked. Natalie shrugged her shoulders slightly. "He is attractive. And there was a .... click when we met." Grace pounced. "A click? A click! Natalie, I've clicked with two men in my life. I lived with one for two years and married the other. Are we talking the same kind of click." Natalie said nothing. Just continued to cut into the cadaver before her. Grace understood that answer. She walked over to stand beside Natalie. "Natalie." Natalie stopped and looked at Grace. Grace was serious. "This is one of the few things you don't talk with me about. There seems to be a lot of pain surrounding you and personal relationships to men. I haven't pushed you because you've been subtlety clear that this isn't an area you want to talk to me about. But, I am your friend and I have to say this to you right now if I am still going to be a friend. "I see the look in your eyes when Robert gives me a kiss. You are lonely and it is really starting to bother you to be without someone to love you. I get the feeling that you are hiding from something, but you can't hide from yourself. "Some of the guys I've seen approach you are really immature twerps, but some were at least worth dinner and some conversation. "This guy sent roses! He is showing some class. Whoever hurt you in the past, I don't think it is this man. Think very seriously about his offer. "He is a homicide cop so we shouldn't have much trouble finding out about him. I am here, Natalie. I am your friend and I will help however I can. If you want to talk and try to work things out, I will listen. OK?" Grace waited. Natalie put her scalpel down. "OK, Grace. I hear you, but things are far more complicated than you can believe. And there are things I can't tell you about." "That is OK with me," Grace said. "I am a friend, Natalie. I don't want you telling me things you are uncomfortable with. If you have another friend somewhere that you are more comfortable with, talk with them. Just remember that I am here if you need me. And don't let a man who sends flowers just slip away from you. It is very tough finding good men out there." Natalie nodded. "I know." She looked away from Grace and finished. "He just reminds me of someone I use to know." "Bad memories?" Grace inquired gently after a respectful moment for the secret being shared. "Some. But, also, some good ones. It is confusing. I need time to think." "Okay," Grace agreed. "Just don't take too long. A man who sends flowers with a vase will wait a while for a response, but he won't wait forever." "Understood," Natalie said. "Now, that you're done mothering, could you do me a favor?" "Sure," Grace said. Above the examination table, one of the lights picked that moment to wink out. Grace looked up. "I don't do lights." "Damn thing," Natalie said. "The bulb wiggles loose every now and again. Give it a twist and it works again." Natalie shook her head. "But that isn't what I'd like. Could you please check the water in the vase and add more if they need it?" Grace smiled. "Are you going to tell Mr. Knight that you are allergic to roses, amidst other things?" "Not until I'm sure he will keep sending them to me anyway." It was a throw-away line of humor that didn't match the seriousness of Natalie's face, but Grace had to give her points for trying. "Good plan," Grace said and walked over to the desk. She lifted the vase carefully and shook it gently. It was dry. She walked over to the small sink and found a clean container and filled the vase with cold water. She fluffed the flowers out so they were perfect again. There was the distinctive clink of metal against glass. Natalie stepped back from the examination table, holding a glass specimen cup with a smashed flat bullet in it. "I'd say that was the cause of death," Natalie observed. Grace walked over to the table. And glanced up. All the lamps were now functioning. "I thought that one needed a twist," Grace observed. Natalie handed Grace the specimen cup. "Looks like it has a new habit. It just winked back in. I better have maintenance take a look at it. Now, would you please take that down to Ballistics for me?" Grace was agreeable. Suzy Harper worked in Ballistics. And Suzy Harper's husband was a detective on the day shift. He'd probably know this Nicholas Knight. And that meant Grace could find out about anything that Natalie should know about Nicholas Knight before things went too far. TUESDAY June 13th 3:13 a.m. Nick Knight dropped the new case file on his desk. This one was pretty cut-and-dry. Nick would bet money that the husband was responsible when the finger-prints from the knife were compared. Of course, that would leave two young children as virtual orphans. Some aspects of this job simply stunk. Nick shook his head and decided to clear it with another case. The film he'd received anonymously that night had been developed and printed. He'd picked up the envelope on the way back from the newest crime-scene. Nicholas flicked the envelope open and pulled the prints out. The first photo was a shot inside a night- club somewhere. People were freeze-framed standing beside a bar. The camera had put a date-time stamp, June 12th 1:17 a.m. in the lower right corner. Amidst the people at the bar was Doctor Natalie Lambert. She was reaching for a glass on the top of the bar. Wearing a black jacket with a white scarf around the throat and draped over her shoulders. Nick flicked to the next picture. Natalie again. This time, Lucien LaCroix stood in the photo with her. And Nicholas' own painting THE MOON loomed over their heads. The shots were from inside the Raven. Nicholas continued to flip through the photos. He held eight photographs total that had been taken between 1:15 a.m. and 1:20 am on June 12th. All eight showed Doctor Lambert. Five showed Lucien LaCroix. Four showed Jeanette. >From the way that the three had leaned close to each other Nicholas assumed that they were speaking back and forth as the photographs were taken. The ninth photo was odd. It was a photograph of a piece of white paper written on with a large marker pen. THESE ARE THE KILLERS. I WILL CONTACT YOU. THIS IS NO JOKE. The writing was in a rapid hand that looked feminine to Nicholas's eyes. Nicholas considered. What was this? Was it evidence? An unidentified roll of film shot by person's unknown. The time-date stamp was in the time-interval just before the murder. But, the time-stamp on the film wouldn't last a minute in the hands of a defense attorney. These photos might have been shot at any time. And, all the photos showed, were people having drinks in a bar. And one of those people was a very respected forensic examiner for the city. These photos WEREN'T evidence. Not by themselves. But, what were they? A prank? No friend would try to implicate someone in a murder investigation. If this roll of film had been created by someone from the police force, they weren't a friend of Dr. Lambert. And they had a more extreme sense of humor than most of the cops Nick knew. Was this film on the up-and-up? Or, it might be a joke in very poor taste or a deliberate attempt to harm an innocent woman. It would have be played very, very low key. The first piece was where was Doctor Lambert at 2:05 a.m. on June 12th? Odds were decent she was on duty. And if she was, there was no physical way she could get to the Raven - clear across town - in the middle of her shift without someone knowing it. If Doctor Lambert was working during the time-frame in question, than these photos were a deliberate attempt to frame an innocent woman and interfere in the investigation of a murder. And the person most likely to go to such lengths would be the murderer that Nicholas was looking for. Nicholas shoved the photos back into the envelope. There was one other detail. Someone was playing games that could get lethal. If something happened to Nicholas - and he hadn't passed along knowledge of these photographs, then his own killer - and whoever had staked the man in the alley - might get away clean. Or, worse, Nicholas could wind up dead and the good doctor might get herself innocently swept away. Nicholas needed to arrange a safety mechanism. He sealed the envelope closed with a chunk of tape and then scribbled across the front: HOLD THIS FOR ME. CONFIDENTIAL. SOMETHING GOES WRONG, OPEN. GOT THESE AFTER THE MURDER AT THE RAVEN. ANONYMOUS SOURCE. Nick Knight He walked over to a very cluttered desk and opened the top drawer and dropped the envelope into it. Detective Donald Schanke wasn't one of Nicholas's favorite people. He and Nicholas mixed like oil and water. Still, Nicholas had no doubt that Schanke was 100% pure cop. He wouldn't open the envelope because a brother officer had asked. And if something happened to Nicholas, Schanke would open it and he would trail after things in his own way. As determined as Nicholas, if differing in methods and temperament. The fact Schanke and Nick weren't acknowledged as friendly in the department would mean no one would look for anything of Nicholas's in Schanke's desk. Okay. Bases covered, sort of. Now, to find out what was going on. Nicholas hadn't received the forensics report yet. Good enough reason to poke his nose in on a certain doctor whom he had dual reasons to know more about now. TUESDAY June 13th 3:17 a.m. Nick knocked on the examination room door as he opened it. Doctor Lambert was looking up from her desk, framed on one side by the bouquet of roses. Nicholas had trusted the flower-shop and hadn't seen the flowers himself. He was pleased to see that the bouquet was large and well formed. Even more pleasant was the voltage of the smile that Doctor Lambert gave him. "Good morning, Detective." She used his title, which implied a wish to hold some distance, but her tone and smile were personal and inviting. He replied in kind, wishing Natalie to be comfortable with him. "Good morning, Doctor." Nicholas reached over and took a rose from the bouquet and twirled it between his fingers, carefully avoiding the thorns. "Do you have a few moments to discuss a case?" Doctor Lambert blinked and Nicholas felt his stomach drop. He'd made a mistake with that one; she wasn't expecting a work conversation. But Natalie recovered and shifted into professional mode too fast for him to compensate. "Sure," she said. "Let me guess, the mystery man with the stake?" Nicholas nodded. "Not much, I'm afraid. The left hand was crushed like someone used a hydraulic press on it. The bones were shattered into tiny pieces. The neck injuries are also different. They are not sharp punctures like you'd get from a needle or an ice-pick. They looked more like a sharpened screwdriver blade. Oblong injuries from something that was driven into the side of the throat. Both wounds penetrated the jugular. The stake through the chest was definitely post- modum. The stake passed clean through the heart and there is none of the tearing you'd expect if the heart was beating when the stake was driven through. Also, whoever pounded that stake through had substantial physical strength. The entrance wound was between two ribs, so the stake just spread them apart, but it was driven clean through the back rib." Natalie looked directly into Nicholas's gaze, impressing him with her eyes as to what she was saying. "Someone hit that stake hard enough to snap a rib-bone in half and drive the stake out through it." Nicholas was properly impressed. "We found no sign of chemicals in the blood. No other injuries; I checked carefully for rope-burns on the wrists or ankles. The body was minus half its blood and because the stake was post-modem, there was no blood in the chest cavity. My only guess is that the throat wounds were used in some fashion to extract the man's blood until he died from shock. What is confusing me is the lack of signs of struggle. There is no sign he was restrained or drugged into submission. So why did he permit someone to drive a screwdriver into his throat twice and then bleed to death?" "Any ID in the clothing?" Nicholas asked. Natalie shook her head. "Nothing. The clothing is expensive, but it isn't hand tailored. Best we could do was to get the body's own finger-prints." Nicholas already knew those weren't leading anywhere. This case was a weird one, made worse by the photographs sitting in Schanke's desk right now. "Any tattoos? Scars? Other marks?," Nicholas asked. "No tattoos of any kind," Natalie said. "No scars. No marks. Nothing. I think the only thread you've got here is when someone files a missing-person report that matches this man." Nick nodded. "Okay. When can I get a copy of the autopsy report?" "Should be written up by the end of the shift." Nicholas slipped the rose he was holding back into the vase. "Do these meet with your approval," he said, gesturing at the roses. Natalie followed the abrupt change in topic as easily as she had before. "Yes." Her smile was pleased. "Would you like to watch the moon," Nicholas asked. "Yes." A cold weight of possible rejection in Nicholas's stomach lifted. "Are you working a standard night shift?" Nicholas asked. Natalie nodded. "How about Saturday night? There is a full moon. Should be spectacular." "Sounds good," she said truthfully. "Should I bring anything?" "Hmm, no. Except, dress for a night outside. I'll pick you up at ten. Unless you want the escape of your own car," Nick said the last with a charming smile. Natalie smiled back. "I've pretty good at escaping, with or without a car. If I didn't think you'd see me safely home, I wouldn't go out with you in the first place. You can pick me up. Know where?" Nicholas shook his head. "No, I didn't want to be too nosey without your permission. But, I am a trained detective and I have a couple of days to figure it out." "Well, then you should also be able to figure out enough to not have to ask me my sign, so you'll have to figure out some other topics of conversation." "Never been a problem," Nicholas said. Natalie grinned at his confidence and flipped open another folder on her desk. "Well, then, you had best run along so I can get this done and get you your report." "Until Saturday," Nicholas said, smiled again and departed. TUESDAY June 13th 7:30 a.m. Nicholas's phone rang. He debated letting the answering machine get it, then decided against it and crossed the loft to pick it up. "Yeah, Knight," he greeted his caller. It was a woman. "Hello, Detective. I am the person who sent you the pictures about the murder at the Raven. Have you had them developed?" Nicholas sat down on the edge of the couch. "Yes, I did," he decided to say. "By themselves, they are not much," the woman said. "But, I have other information. I would prefer to meet in public somewhere and talk face-to-face. I have other things to show you." Nicholas considered. The odds that this was some elaborate plot to harm him were small. Someone who wanted to kill Nick - who had his home phone number and could get pictures into the police station - could easily shoot him down in the street before he realized what was happening. There was no need to call him out somewhere where his guard would be up. Something odd was going on here. Nicholas decided he had to play this out and see where it lead. "OK. I can agree to that." "There is a diner, Lucy's, a few blocks away from you. Do you know it?" "Yes," Nicholas said. He'd eaten there on occasion. "I can be there in twenty minutes. Can you?" Nicholas knew he'd be there a lot quicker than that. Which would allow him to see what was going on and be prepared before this woman arrived. "Yes, I can," Nicholas said. "Fine," the woman said. "I will find you at the diner. Twenty minutes." And she hung up. Nicholas put his own phone down. He was still in his shirt and body armor. Nicholas slipped into his pistol holster, checked that his badge-case was in his front pocket and grabbed his car-keys and a light jacket to conceal the gun. There was a moment to regret that he hadn't had time to confirm that Doctor Lambert was on- duty during the time that the photographs had allegedly been taken, then Nicholas was punching the down-button on the elevator and dropping to the Cadillac. The Cadillac warmed up as the automatic drop-opener pulled the big garage door open behind it. Nicholas backed out, touched the door-closed button and set out to Lucy's. Morning traffic was in full swing both on the roads and at Lucy's, but Nicholas was parked and sitting at a small booth near the door with a cup of coffee within ten minutes. He ignored the menu at his hand and watched the door, waiting for a woman he knew he couldn't identify. All he had was a voice. Nicholas had been seated only a little over ten minutes when a pretty black haired woman in her thirties walked in the door and directly over to Nicholas's booth. She slipped in opposite him and settled her pocket-book on the table-top. "Good morning, Detective," she said pleasantly. "Thank you for meeting me." It was the right voice. She had dark eyes to match the hair with a pleasant smile. A gold necklace with a small heart-shaped pendant hung around her neck. Her earrings, gold cruifixes, were suspended from delicate chains so they lay agaisnt the sides of her neck. A waitress bustled over and laid out another menu and place-setting. "Coffee?" she asked. The woman nodded. "Not decaf, please." The waitress nodded and went to get a cup and pitcher. Nicholas stirred his coffee to give his hand something to do. "Do you have a name?" Nicholas asked. "Alyce Hunter." Alyce looked at her menu. "Is there anything especially good here?" she asked. "I like their hash. The omelets are good." Alyce nodded. The waitress came over and fixed a mug and set it by Alyce's hand. "Ready to order?" she asked. Alyce closed her menu. "I am." The waitress looked at Nicholas. "Two scrambled eggs, cornbeef hash and sourdough toast," Nicholas said. This was jotted down. Alyce ordered a cheese and mushroom omelet with hashbrowns and a glass of orange juice. The waitress walked away. The sun light streaming through the window by the booth was warm on Nicholas' shoulders and hands. Alyce stirred cream into her coffee and took a sip. She set the cup down with a light clink of china and cupped both hands around it as if for warmth. "The man who was killed in the alley behind the Raven is Peter Vincent. You haven't been able to trace down his identity from fingerprints because all documents about his life have been eliminated. Peter is ex-SAS. Special Air Services. An elite British commando unit. He worked for British Military Intelligence for many years; they got rid of his official documents so he could operate as a non- person. If something went wrong during a domestic operation, he couldn't be tied back to the British government. "I met Peter five years ago. I was working in a museum in England, very late at night, and I was attacked by a vampire." Her words struck Nicholas as terribly out of place in the warm, sunny diner with people bustling about as they began another day in their lives. "A vampire?" he asked. "A vampire. Fangs; ability to fly; thirst for blood. The real Hollywood creature. "Except, no Hollywood movie has ever captured the fear of a vampire going for your throat. It is like a wild animal attack. I got very, very lucky. I was in the museum that night researching the design on an antique crucifix. I had the crucifix in my hand when the vampire attacked me and I hit it hard across the face in reflex. A crucifix is one of the few things on earth that can harm a vampire. Touching one causes very bad burns. And the mere presence of one causes a vampire to feel physically weak and uncomfortable. "That was just enough for me to survive the initial attack and hold the vampire at bay until my second piece of luck arrived. Peter. He had broken into the museum and had been working all of twenty feet from me all night. Reading through old manuscripts and doing his own research. Fortunately for me, Peter is a vampire hunter. He heard what was going on and was behind the vampire when it attacked me. Peter had a stake in his belt and he drove it into the vampire's heart before it even realized I wasn't alone." Nicholas considered. "That is quite a story," he said. Alyce smiled and sipped her coffee. "Yes. Very hard to believe. I was the one who was attacked. I saw that vampire. Smelled the charred flesh where the cross had branded its face. Heard its scream as it recoiled from me. Watched it as it snarled at me with its fangs, raising one hand to ward of the crucifix I held before me. And it took me two days to acknowledge that Peter was right and it hadn't just been a mentally ill man with delusions of being Dracula." "But, it did happen. I saw it. I was almost killed by it. And, when a couple of days had passed I knew that I had to go with Peter to help him. Peter was a very good soldier. And a good man for gathering intelligence. But, he isn't a trained researcher. He didn't know all the ins-and-outs of old libraries, public records vaults and research facilities. Sifting through the ages to hunt for vampires was the work of a professional. Small, obscure details can be worth their weight in gold. "In five years, Peter and I have managed to find and kill three vampires aside the one that attacked me. The last one had papers that indicated the presence of a vampire colony here in Toronto. With Lucien LaCroix as the head of the colony." "Lucien LaCroix is a vampire?" Nicholas asked. He didn't try to hide his disbelief. "Yes. And I think an old one. There are a handful of rare old books written by people that you would assume to be insane if you didn't believe in vampires. They provide a look into the vampire culture and life. One book that dates from before the 12th Century mentions a Lucien LaCroix by name. The physical description given in that book, rough as it is, matches the man we see today." "800 years." "Maybe more. Vampires don't seem to die of old age. They get stronger as they get older. There is mention of Ancient Ones, vampires thousands of years old, with powers that we would consider those of a god." Alyce stirred her coffee. Nicholas saw that she was comfortable in her monologue. He assumed that she had been a teacher or professor at some point and enjoyed it. "Vampires are like us in ways, Nicholas. They have different opinions and value systems. There are vampires that prefer to live alone, trusting to their own skills and powers and satisfied in their own isolation. Others form colonies; for companionship, joint protection against threats, ease of living, much like we form cities and towns. "The older the vampire, the more powerful it is. A young vampire gains a greater chance of life if it has older vampires to learn from and receive protection from. Older vampires seem to feel an obligation to protect and continue the vampire lineage by assisting those younger then themselves. The vampires have a culture. A very nomadic culture based upon oral traditions and a handful of rules, but they do have a culture." "Predatory animals are always far outnumbered by their prey in a stable ecosystem. Vampires, which have to conceal their killing, are required to be even more in the minority. Only a large city like Toronto can provide enough prey for a colony to form and sustain itself." "So, why don't we find bloodless bodies all over the place?" Nicholas had to ask. "They are very careful to hide their tracks nowadays. How many people, Detective, disappear in a large metropolitan city and are never found again? How many transients disappear and no one notices until a pile of bones is discovered in an out-of-the-way location? And vampires do not have to kill to feed. They are quite capable of taking enough blood to ease their hunger and leave a victim alive, but hypnotized into forgetting about the entire incident. Peter and I are quite certain that the Raven is a feeding ground for the vampires. "Consider it. People in that club are drinking and using mind-altering drugs. They are often prepared to leave with someone they don't know to spend the night together. It is a perfect place to seduce someone and steal a few pints of blood. The next morning, they attribute any weakness to the drinking they did the night before. And any memories of unusual people with fangs to whatever drug or drink they were using." Nicholas had decided to play along with this tale, to buy time if nothing else. "That makes an amount of sense," he said. "But, how many vampires could there be here? Every time they feed, there is a chance of exposure. A large enough group will eventually be exposed." "We don't really know. The three we killed before were all solitaries. With them, we did find evidence that vampires have tapped into the medical blood-banks so they can get food with little exposure. Toronto is a big place. The colony could be very large. That was part of what Peter was trying to figure out. "I assume that the two women in the photographs with Lucien are also vampires. From the behavior we saw when in the Raven, Peter and I assumed that there were another six or eight." Nicholas absorbed this assertation that Jeanette and Natalie were also vampires. "One of the women in the photographs you sent me IS a respected forensics pathologist for the city," he pointed out. "Yes. Doubtlessly, it is a reason why this colony is here. What better way to conceal murders in the city but then to have someone doing autopsies who is also a vampire. Who can hypnotize people into ignoring specific wounds, or alter them to match that caused by a common knife or other weapon." Nicholas found that this made disturbing sense: if one was already crazy enough to believe in vampires. "So, why was Peter killed? In so public a place?" he prompted. The professional cop was looking for information. There was a murder here. Perhaps, Alyce did have information, hidden in her delusions. "Peter was trying to figure out how many vampires we were dealing with and where they were living. "We know that vampires burn like road flares when exposed to the light of the sun. We also know that they do have to...sleep, for lack of a better word. They have to have a safe place to bed down for the day. A logical place was the back rooms of the Raven. Peter was ex- SAS. He knew how to break into places and look around and get out again without anyone knowing. He broke into the Raven to see what was in the backrooms. He was trying to get a feel for how many vampires he'd be dealing with and how the building was laid-out inside. Killing a single vampire is very dangerous work and you need to plan for it very well. If you are dealing with more than 1..." "And someone caught him?" Nicholas prodded. "Yes. Apparently. I was in the Raven that night, taking photographs of people and watching the entrances to the back rooms so I could warn him of trouble approaching. About 1:25 a.m., a couple of people went into the Raven's back areas. A minute later, Lucien, the women and a couple of others went into the backrooms also. I tried to warn Peter via radio, but he didn't reply to me. They all came back into the Raven about ten minutes later. A few minutes after that, someone next to me was told that there was a body outside. I went out and it was Peter." Alycees' voice shuddered to a halt. She dropped her gaze to stare into the emptiness of the tabletop and her hand was white on the china cup. Nicholas said nothing and did nothing. Just waited for her to continue. The waitress bustled up with their food. That distraction gave Alycees a chance to gather herself. By the time their meals were set before them and the waitress had refreshed coffee and left, Alycees had herself together again. Only faint smudges of mascara under her eyes revealed that anything had been wrong. "Did you leave the Raven immediately" Nicholas asked. Alycees cut into her omelette. "Yes. I was afraid that I had been noticed." Nick ate some hash. "If you left immediately, how did you know I was on this case? And how did you get photographs into the police station?" Alyce smiled faintly with mischief. "Peter and I have friends. Friends in high places. I asked for help from those friends. A name and delivery of a small package. They helped me." "Who?" Alyce shook her head, lips firmly pressed together. The truth of it, Nicholas realized, was that it didn't have to be someone high up in the police organization. A janitor who kept their ears open while working would probably know who was on a high profile case like the killing at the Raven. And they could slip a package into an in box. He cut off a piece of toast and speared it and some scrambled egg with his fork and ate it. "OK. Assume I believe you. Toronto is home to a vampire colony. The cast of blood- suckers includes a city forensic pathologist and a local radio host." "Radio Host?" Alyce interrupted. "LaCroix. He is the NightCrawler on CERK radio." Alyce arced her eyebrows in interest and motioned for Nicholas to continue. Nick did. "Where do I fit in? What do you want me to do?" Alyce spoke softly. "A man has been murdered, detective. The people who murdered him need to be brought to justice. I know his killers were vampires. The traditional "cure" for a vampire is a stake through the heart. The odds are against you holding them in a jail and prosecuting them with the courts, but I know it has been done in the historical past and it is enough for me if it is what you will do. "I can't avenge Peter alone. He was the hunter. I did the book work. If I try to face the colony alone, I will be killed. I lack the training and the mental conditioning to win a physical battle. "I can't very well advertise in the newspapers for a vampire killer. "That leaves me with a police officer. That leaves me with you. "I am telling you who the criminals are in a case you are working. I am warning you that these criminals are extremely dangerous and capable of killing almost by reflex. "What I want you to do take me seriously as much as you can. "If you don't believe me about vampires, then believe that these people are Peter Vincent's killers. That I was in the Raven that night and what I saw did happen. "Take my information and dig. Prove the case and support the law." Nicholas considered. Remove the vampire element and this entire conversation was not unusual. A detective getting the lucky break of someone with information sliding out into the daylight for a few minutes to pass it on. Not enough to solve the case, but enough to find a direction to investigate along or new details to consider. Nicholas sipped at his coffee while he thought. "OK. I admit that this case hasn't turned up much in the way of leads. I will investigate what you've told me. I don't know what of your tale to believe. But, it is information that I didn't have before I came here. "I'm inclined to believe that you need psychological help. I can help you get some professional assistance. But, I can't force you to." Alyce smiled gently. "I am not crazy. But, I understand your reluctance. Investigate. See if you can get LaCroix to meet you in broad daylight. If you dig, you will find evidence to support what I've told you. Then you will have to figure out what to do about vampires lurking in downtown Toronto." "Where do I reach you?" Nicholas asked, crossing his fingers that she'd give him an address somewhere. "You don't," Alyce said. "My only protection right now is that no one knows where I am. I will call you every twelve hours at 7:00 on the dot at your home. If you need to talk with me, be home. I'm sorry, but that is the way of it." Nicholas heard in her voice the futility of arguing with her. They were done with breakfast. Alyce looked at her watch. "It is getting late for those of us who have been up all night. I need to go." She started to open her pocketbook. Nicholas touched her sleeve very gently. "I will pay for breakfast," he said. Alyce looked him in the eyes. "Thank you," she said for more than just picking up the tab. Nick nodded and watched her walk away into the warming morning, knowing that he should attempt to follow her, but knowing that he wouldn't. WEDNESDAY June 14th 12:15 a.m. The Caddy purred through the night streets. CERK was on the radio and the NightCrawler was in a soliloquy. "Good evening, dear listeners. "The theme for tonight is Family. "Any fornicating couple can produce offspring and we call it a family. But, a true family is not a result of spontaneous couplings. It must be formed. It is not an easy thing to build a true family. There must be someone with the willingness to sacrifice themselves to provide for those that they love. And, they must be willing to make that sacrifice time and again without being acknowledged or thanked for their sacrifice. "For sacrifice is the very heart of a family. "The willingness to give of one self. To deprive one self. To benefit those in the family." "The benefit of a daughter, perhaps, who has strayed from the ways that she was taught. Who looks down upon a father that she still needs the protection and comfort of..." "Family can be both a blessing and curse. "Often, it is both in the same act. "That is one of the paradoxes of a family. For it is generally considered irrational to cause oneself pain, yet a family is something that is deliberately created. And by creating a true family, you are creating an agent for your own pain. "Pain is, however, a useful agent. It keeps us alert and makes us aware. It sharpens the senses and energizes the nerves. "Which can then make us more able to deal with the rigours of a Family." "Thus, the circle closes in upon itself." "Let us consider this for a few minutes." Classical music replaced LaCroix's creepy, gleeful monotone. Nicholas was parked in front of the CERK radio station before the music ended. His badge got him a personal escort through the labrynth of rooms to the small studio that LaCroix was broadcasting from. The ON-AIR sign was lit and Nick's escort warned him to silence before opening the door and ushering him inside. LaCroix was dressed in his standard black and apparently listening intently to a caller via the speaker behind his head. LaCroix's gaze immediately shifted to Nicholas as he entered and held focused on Nick as LaCroix answered his caller. Nicholas waited patiently as LaCroix dealt with several more calls and shared opinions about Family before playing more music. LaCroix adjusted a switch on his microphone and beckoned Nicholas to a seat across from him in the small room. "Good evening, Nicholas. Something pressing I assume?" Nick nodded agreement as he sat down. "Perhaps. More a desire to be careful than anything. Do you know a woman named Alyce Hunter?" LaCroix settled back into his chair and templed his fingers and touched them to his lips in apparent concentration. "No. I do not. Should I?" "You need to. She may be a physical threat to you. She has contacted me with regards to the murder at the Raven. She believes that you and Janette and a forensic pathologist named Natalie Lambert are party to the murder." "And why would I have done this?" LaCroix wanted to know. "Because you are a vampire." LaCroix immediately burst into laughter. He contained himself in a few moments. LaCroix was never far from control. "Really, Nicholas," LaCroix's eyes glittered with glee. "A vampire! How amusing. I've been called many things in my time, but that is certainly new. Do you believe this tale?" "Vampires? No. There is no such thing as vampires. But this woman does believe in them. And she believes that you are one and that you killed her friend." "So she wants vengence?" LaCroix asked. "An admireable trait." "Yes, she wants vengence. Right now, she only wants me to investigate and bring you in legally. She has made no threats and requested no illegal activity on my part, so there is no way I can arrest or detain her. But, she could be dangerous. You need to be careful. Watch the people around you, especially at the Raven or anywhere else you are in large bodies of people in public. Make sure you doors and windows are locked at night and call the police immediately if you think something odd is going on." "Like a young woman stalking me with a stake?" LaCroix's voice positively giggled. Nicholas leaned forward with his palms on his knees. "I'd take this threat a little more seriously, LaCroix. This woman stated that she couldn't take action against you herself, that needed someone else to help her. I am hoping that if I find the real killers, that her delusion will fade, but if I take more time than she wishes or she is deeply delusional, you might have a problem. "And until she makes an active threat, there is very little I can do to remove her from the streets." "All right, Nicholas, I will take this more seriously because you ask," LaCroix conceded easily. "Do you know where this woman lives, or what places she frequents so that I can avoid those areas myself?" Nicholas shook his head. "No. She is afraid, so she won't tell me where she lives. I do think that she is transient in the area. My guess is a hotel somewhere. I know that she has been in the Raven at least once so I might avoid going there." "And Janette?" LaCroix wanted to know. "I have already warned her; she didn't seem very concerned." "Janette is very capable of taking care of herself, Nicholas," LaCroix relayed. "Janette and I have many friends in the Raven. We are both probably safer there than you anticipate. Safer even than your forensic pathologist." Nick shook his head. "That is doubtful. This is a potential threat against a member of the police force itself. Plus, Doctor Lambert is well-liked. She has all the security she can stand watching her home and herself." Nick stood up. He recognized the classical work being played and realized it was close to ending. LaCroix would have to return to his radio broadcast and Nicholas felt he was done here. "You and Janette look out for each other. If something is going on and you don't want official police involvement, please give me a call directly." "Thank you, Nicholas," LaCroix almost purred. The piano drifted to a halt; LaCroix moved to click his microphone live. "Have a nice night, Detective Knight." LaCroix smiled, turned his microphone back on and the NightCrawler's voice drifted once again through the dark skies of Toronto. Nicholas took his leave. WEDNESDAY June 15th 7:00 a.m. The phone in the living room of the loft rang. Nicholas put down the spoon he was stirring his pasta with and picked up the kitchen extension. "Yeah, Knight." "Good morning, Nicholas." It was Alyce. He could hear voices in the background. She was calling from a public phone somewhere. "Good morning, Alyce," he replied politely. "Have you had time to investigate anything?" Alyce asked. Nicholas had already decided there were certain things he would tell her. "Yes. Some things. I know that part of your story doesn't hold. Doctor Lambert was across town on another case at the time you claim to have taken her photos in the Raven. I have police dispatcher records and the recollection of the two people she was working with that night." "Remember that she is a vampire," Alyce said resolutely. "She can hypnotize people into remembering what she wants. And she can fly. She could easily have people think she was working across town but really be at the Raven. In fact, that is doubtlessly what happened, since I did take her photo in the Raven." "I have trouble believing that," Nicholas said. "Yes, I understand," Alyce said. "Have you been listening to LaCroix on CERK?" Nick sprinkled pepper into the boiling water holding his pasta. "Yes." "He seems to be having some family problems. Maybe that can be exploited to our advantage?" "How so?" "I don't know, for certain. But, I know that the vampires are powerful foes. Any advantage is something to be seized. If the vampire community is in turmoil, that can only aid us." "OK," was Nick's limited response. He didn't want to feed Alyce's delusions by acknowledging them too much. "Do you have anything else?" Alyce wanted to know. "Nothing yet," Nick said. It was an admission painful in its truth. Professionally, Nicholas almost wished he had a solid lead to lie to Alyce about. "OK, I'll call again," Alyce said and hung up. Nick put his own phone down and returned to preparing breakfast. THURSDAY June 15th 8:25 p.m. Natalie put her wrap-around black shades on and tilted her wide hat brim down. She opened the front door of her apartment onto the small porch and looked down. The door bell had rung at 4:30 that afternoon, but the flowers still were beautiful. Another bunch of roses. White this time. In a vase with a note. Natalie leaned out, picked up the vase and stepped back into the comforting gloom of her apartment. The note was this time in Nicholas's own hand. DIDN'T WANT YOUR FLOWERS TO GET OLD BEFORE SATURDAY. Sydney curved against the back of Natalie's legs, body warm and soft. His purring was a low, powerful metronome. It was very pleasing to Natalie's ears. She reach down and and ruffed the back of his ears. "Flowers from my gentleman caller, Sydney. The second bunch before I've gotten even before going out with him on a date." Sydney purred his approval. Natalie walked back into her apartment. She was annoyed that she only had a few moments to enjoy the roses before she had to leave for work, but that was the way of things - going out onto the porch to get them earlier would have been too dangerous. She still had a very nice bouquet on her desk. Natalie got some latex gloves out of the kitchen and put them on. Protected, she set the roses on her coffee table and ruffled them so they filled out widely. Sydney sat on his haunches and purred with his head tipped back, eyes closed in apparent relaxation. Natalie looked at the flowers and forced down her fears and let her soul warm. This could be the chance. Arrived against impossible odds. The resolve she'd developed after Grace's lecture strengthened her as she admired the beauty of the roses and considered the character of the man who'd delivered them. She knew it was getting late to leave for work, but Natalie dallied anyway, enjoying the warm sensation of hope while she could sustain it. It had been a very long time. SATURDAY June 17th 9:58 P.M. Nicolas pulled up to Natalie Lambert's apartment and parked in the short section of driveway that led to her garage. He looked around the car critically for a moment and then got out. The Caddy's paint gleamed with fresh wax in the light from the Natalie's front porch. Nicholas's boots thumped quietly on the flat stones that led across her freshly mowed lawn to the front door. He touched the doorbell button lightly for a just a moment and waited. It took a minute before Natalie opened the door. Nick had no problem with the wait. Natalie was gorgeous. Her strawberry hair swirled down around her shoulders. Full lips glossed just red enough to be noticeable without being overdone. Her eyes sparkled and Nick was honored to note just a slight touch of mascara. Her smile could have lit up half of Toronto. The floral scent of her shampoo and soap washed pleasantly around Nicholas. Natalie so beguiled Nicholas that he didn't even fully realize she wasn't dressed. She wore a white kimono with rich blue designs woven into it, the neck open just far enough to hint at cleavage without being obvious. Natalie had the advantage. "Good evening, Nicholas." Her eyes swept up and down. Nicholas was dressed casually but well. Black jeans so fresh they were still creased. A white shirt with shoulder epaulettes. His boots and belt were matching in the leather pattern and tooling. She found him attractive. And she now knew what to wear so they looked "together". Nicholas found his tongue. "Good evening," he gestured with a hand. "We are going out?" he asked. Natalie's grinned mischievously. "Yes. Sorry. Been a while since I was out on a date. I've forgotten how much I like to do before. Got a little behind. Would you come in?" She ushered him in the door. Sydney came stalking in from the living room and started sniffing the stranger in his domain. Natalie stroked Sydney's spine with the sole of her bare foot. "Nicholas, this is Sydney. Sydney, this is Nicholas. Hope you boys get along." Nicholas crouched to run his hand along Sydney's side. "I do like cats," Nicholas said. Sydney arched his back against Nicholas's hand and began a heavy rumble. Natalie felt glad that Sydney seemed to like Nicholas. "I only need a couple of minutes to get ready, can I get you something to drink while you wait?" Nicholas shook his head. "No, thank you. If it is just a couple of minutes, I'm quite OK." "All right. If you need something, call out. I'll go finish getting dressed." Natalie walked down the hall and Nicholas thought he noticed more movement in her hips than he saw in the office. Of course, the amount of makeup she was wearing was more than at the office also. Sydney was obviously one of Natalie's intimate friends and he was a friendly cat. Nicholas scooped the cat up into his arms and stood. Sydney lay along Nicholas's arm, rhythmically digging his claws lightly into Nicholas's arm and shirt as Nicholas stroked his head and back. Nicholas walked idly around Natalie's living room. It was almost classically feminine. Very light colors. Furniture that looked very fine and fragile. Numerous potted plants that seemed well cared for. Several paintings in very old frames were on the walls and there were several sculpture works that looked quite old. There was a book shelf filled with a wide assortment of books. Hard copied medical texts. Several best-sellers hard covers. Detective fiction. Sci-fi novels. Nature books and history volumes. A wash of cheap paperback romances. Natalie Lambert had wide and varied tastes. There was a television and VCR and a bank of purchased tapes. Nicholas scanned over the titles - looking for insight. A preference for romantic comedies, hardly surprising but still something to remember. His second bouquet was on her coffee table. The card had been creased down the middle so it would stand and was behind the vase. Nicholas was pleased that she displayed the bouquet as a centerpiece in this room that was so uniquely hers. Nick heard the faint sounds of Natalie walking down the hall to the living room. She was dressed for a night outside. Faded blue jeans that looked very comfortable. A blouse in fragile pink. "I need something from the fridge, back in a second." She disappeared back into the apartment. Sydney jerked and stood up to jump. Nicholas stooped and set the big cat on the rug. Sydney galloped off in Natalie's wake. "Someone thinks it is dinner time," Nicholas called out conversationally. Natalie laughed and Nicholas heard her open a cupboard. "Sydney always thinks it is dinner time when I go into the kitchen. Tonight, however, maybe it would be better if I left him a little extra, just so he doesn't get jealous." Nicholas was pleased at the easy way she said that last. In a minute, Natalie came back to the front door. She was carrying a small travel cooler. "OK, big secret number 1 that you have to deal with. I have more allergies than Sydney has fur. I'm on a special liquid diet that I can't deviate from very much, thus..." Natalie waved the cooler. " taking me out to dinner is always a waste. While it does make me a cheap date, it can get awkward at times. I also have a terrible problem with sunlight. I do more than turn into a pumpkin at dawn, Nicholas, I could die from the exposure. We can go wherever you have planned, but I have to be inside by dawn. OK?" Nicholas considered saying he already knew these things, but decided not to. This was Natalie's personal life. He'd been uncomfortable if people around him knew the details of his life. Nicholas settled for his best friendship smile. "Sure, Natalie. Home by dawn. My word." "Well the word of a Knight should be good enough for any lady," Natalie said in a fun way that still made Nicholas realize she wasn't joking about her respect for him, "lead on." Nicholas opened the door to Natalie's apartment and stepped down onto the stones. Natalie followed and locked the door, then really saw Nicholas' car for the first time. "Heh, nice." There was genuine interest and satisfaction in her voice. She all but passed Nicholas to see the Caddy. "1962" Natalie said. Nick was surprised at her knowledge. "Yes, how did you know?" Natalie admired the wide chrome grille. "I had a 62 Caddy myself at one point. Only, it wasn't a convertible. Very nice." "Thank you," was what Nick could think to say. Natalie walked back along the side of the car and ran a finger lightly along the tall tail- fin. "Biggest trunk of any car I've ever seen. Very roomie." She walked back up to the passenger side door. "Should I put the top up?" Nicholas asked. Natalie shook her head. "On a starlight night like tonight? No way. One of the advantages of not spending a lot of money at a salon to get your hair done up is you don't care too much when it gets messed up. So long as the messing is fun." Natalie put her cooler into the Caddy's back seat and opened her door. Nicholas kicked himself. He'd wanted to open the door for her, but had been thrown by her interest in the Caddy itself. Natalie slipped in to the car and closed her door. "Comfy. Just like I remember," Natalie said appreciately. Nicholas decided that they would get to their destination much quicker if he actually got into the car himself, which he did. The Caddy purred to life on the first try. Nicholas pulled the lap-belt on. After a moment, Natalie did the same. Nick slipped the car into REVERSE and turned the headlights on. He backed out of Natalie's driveway, put the Caddy in DRIVE and eased the accelerator down. The Moon awaited them. SATURDAY June 17th 10:45 P.M. The Caddy eased into a parking spot and Nick switched the engine off. They were on the outskirts of Toronto, well back into the suburbs where it merged into countryside. Natalie looked around the small graveled parking lot, crowded with an eclectic assortment of cars. "What is this place?" "A private park," Nicholas answered. "A wealthy eccentric owned this area. He built a small observatory up on the hilltop there." Nicholas gestured upwards into the moon-splashed darkness. "When he passed away, he left a trust fund to support it. It isn't Mount Palomar, but it is a nice place for amateurs. We are far enough away from the lights of Toronto to see and it is fairly convenient to get to." Natalie got out of the Caddy. Nicholas joined her. "So we walk up from here?" Natalie asked. "Yes, there is a path." Nicholas took a small flashlight from his pocket and flicked it on. "It isn't very far. Maybe a mile or so." He reached into the Caddy and retrieved the small picnic basket he'd brought along, then gathered up Natalie's cooler. "Would you prefer to carry the light so you can see better?" he offered. "No. Thank you. I have trouble seeing in bright sunlight, but that means my night-vision is very sharp. I should be ok." They started up along the path. Nicholas reminded himself that he was a taller than Natalie and thus had the advantage of a longer stride. He should walk a little slower than normal so as not to wear her out. Nicholas soon realized that Natalie wasn't kidding about her night-vision. She seemed to have an easier time than Nick as she ducked under low branches and kept agile footing on moss-slicked rocks and gnarled roots. The path wound up the hillside, passing as a tunnel through the dense forest-cover. Along the last bit, the path was quite steep. Nick was breathing quickly as they broke out into the hilltop clearing. His professional ego - as a cop he was expected to keep in good physical shape - was somewhat miffed that Natalie didn't even seem to exert herself. If anything, he was probably holding her back on the climb. The observatory on top of the hill was a small but elegant thing. A round cylinder out of field-stone stood some ten feet tall and was capped by a wide flat roof surrounded by railings. A small knot of people stood on top of the observatory platform around a large portable telescope. Other telescopes were set up on the ground around the observatory tower. Still other people peered upwards with binoculars or telephoto zooms on cameras. The patch of lawn surrounding the observatory had been freshly mowed, the scent of the clippings hung in the dark air. Nicholas paused at the edge of the clearing to get his bearings and catch his breath a bit. Natalie stopped beside him and surveyed the small scattering of people. "Do you know anyone here?" she asked. "A few people. I've come up here a number of times to get inspiration for paintings." "You paint?" Natalie lead. "Yes. For some time now I've had an obsession with moonscapes. Best place around to get a clear view of the Moon. There are people up here with cameras who have been willing to have photos developed for me so I look at details later." "Did you bring anything to look with?" Natalie asked. "A good pair of field binoculars. The people with the telescopes are also very friendly. They're very willing to let you sneak a peak with their equipment." The inside of the observatory was circled with benches and storage spaces. Nicholas tucked the picnic basket and Natalie's cooler away, took the binoculars out of the picnic basket and they went up onto the roof via the internal staircase. Professor Robert Coolings, an astronomy professor that Nicholas knew, was holding court on the roof with his personal telescope. Nicholas waited for an opening and stepped forward to wish the Professor a good evening. Coolings was an almost stereotypical professor. Sixties, frazzled white hair, spectacles. Behind that carefully cultivated image was an extremely sharp mind and playful sense of humor. "Nicholas!" Coolings greeted warmly, extending both hands. Nicholas clasped the hands. "Good evening, Bob." He released the professor's hands and turned to indicate Natalie. "Natalie Lambert, this is Professor Robert Coolings. Bob, this is Doctor Natalie Lambert." The two doctorates exchanged hand-shakes. Coolings was clearly charmed by Natalie. "Nicholas, you should really bring your friends more often if they look like this young lady," Coolings said. Natalie smiled without embarrassment at the pleasant compliment. "Could we get some telescope time?" Nicholas asked. "Of course," Coolings said. "You'll just have to wait in line a while. There are a number of students here tonight." "No problem," Nicholas said. "How long?" "Oh, maybe a half hour or so." "Fine. We'll just look for now with binoculars." "Doctor?" a young woman at the telescope - apparently trying to work a camera through the view-finger - was calling. "The Teacher must Teach," Coolings smiled and walked over to deal with the problem. "Come over here," Nicholas asked Natalie, walking over to the railing. Nicholas handed Natalie the binoculars. She obligingly put to them to her eyes, craning her head far back to look up into the sky at the full moon. After a half minute or so she spoke. "I have looked at the Moon before, but I'm not really sure I really saw it. It is beautiful. Thank you." "You're welcome," Nicholas said. SATURDAY June 17th 12:10 P.M. Natalie leaned into Nicholas to jostle his shoulder with her own. It was a friendly way to get his attention. "I'm starved. I need to eat," she said. "Fine by me. Let's get the baskets." Nicholas lead down the staircase and he rounded up the cooler and picnic basket. "I've got a blanket in the basket. Let's find a nice place and spread it out on the ground." Natalie's gaze was intent. "Let's find a private place." Nicholas nodded. "What the Lady wants..." and he lead the way outside. They walked across the small clearing and walked down a narrow pathway. Nicholas leaned his head close enough to Natalie to whisper. "If you hear something in the woods, don't be alarmed. This is called Lovers' Walk for a reason." Natalie stopped short. "Nicholas. I'm sorry if you misunderstood. I want to be alone with you, but I'm not ready to go THAT far." Nicholas stopped and turned to face her. "Natalie, privacy so we could talk and be together is all I thought you wanted. Just so we are operating on the same wave-length - I will be very uncomfortable if you do something just because I want to or you think I want you to. I've got a lot of years left on this planet. If things work, then we have time for anything. If they don't work, then I am glad for the try, OK? No pressure, no regrets. Agreed?" Natalie reached out and took Nicholas's hand. Her fingers were cold. "Agreed." She stepped close. "Thank you for the honesty." "You're welcome." Natalie linked her arm inside Nicholas's and they started down the walk again. At the end was a small clearing. The Moon was well up and hovered over a stand of tall trees like a crown. With eyes adapted to the darkness, it seemed to shine down like a search- light. They spread the blanket out against the coolness of the ground. Nicholas opened the picnic basket. "I did pack enough for two. Any chance anything is OK? Fresh vegetables. Cheese. Bread. Grapes. Oranges. Chocolate?" Natalie shook her head. "Nope. Nothing I can touch." She had her cooler open and extracted a wine bottle stripped of the label. She chuckled at Nicholas's look. "It isn't wine, Nick. My diet is liquid, but I'm not a lush. After a while though, things get a little monotonous. So a wine bottle makes for a special meal." She also had a pair of very beautiful belled wine glasses. "I brought glasses for both of us. I assume you brought something to drink. Nicholas produced a bottle of real wine with a somewhat hang-dogged look. "Well, I also have bottle water," he tried to defend himself. Natalie laughed. "So long as you only have a glass or two, enjoy. Now open that bottle and let's pour so it can breath." Nicholas applied a cork-screw and Natalie held a glass for him to pour. She then set that glass by Nicholas and handled him the other glass and opened her bottle. Nicholas held her glass while Natalie poured it full. Natalie put her bottle aside and Nicholas handed the wine glass to her. Immediately, Natalie took a deep swallow. "Mmmm," she hissed. "Hungry." Nicholas decided he agreed with that assertation and cut a chunk of cheese off the wedge he'd brought and started to eat it. They sat in silence, absorbed in taking the edge off their respective appetites for some minutes. Natalie reached for her bottle again. "What do you do to relax, Nicholas?" "Mmmphhah," Nicholas said around mouth-ful of fresh orange. He chewed and swallowed. "I like to paint in oils. Moonscapes at the moment, as I said earlier. I play classical piano fairly well. Mmmm. I like to watch movies. And I think I'm a fairly good cook. Any shared interests there?" The clink of the wine-glass against bottle was delicate in the night. "I don't paint, but I do like nice paintings. Same for piano. Although I tend more toward jazz. I like movies too, but the cooking is totally lost on me. Its been so long since I could eat anything I've almost lost the memories of what foods taste like." Natalie sipped from the fresh-filled glass. "Nicholas. Would you talk with me about Tracy Vetter?" Nick put down his own wine glass carefully. Natalie was looking straight at him, waiting. Nicholas wrinkled his mouth. "Yes. I will. Up to a point. What do you want to know?" "Why did you separate from her so abruptly? The general consciences was that a marriage was soon." Nicholas shifted on the blanket, crossed his legs at the knee Indian-style to hold a paper-plate in his lap. Natalie sipped again from her glass. Wondering if he would answer her. When he looked at her again, his voice was steady. "If our separation appeared abrupt, it was only because we were both very good at keeping things private. It was not easy to be involved and be working out of the same station house. Discretion was something we both value. Tracy more than me. It wasn't easy for her to be a detective in Toronto with her father as Commissioner. And harder to be intimately involved with someone she worked with. She let me kiss her a total of three times in the station house. We kept to ourselves off-duty. We didn't do much as a couple that involved the other officers on the force." "Yes," Natalie remarked since some approval seemed appropriate. "It took quite a while for people to figure out that anything was going on between you two." Nicholas nodded. "Well, it also took a while for things to go bad on us. Things were good for a time. Tracy and I complimented each other well. Covered for each other's weaknesses. Made bad times good. It was only when we both realized that things were serious that trouble set in. When we stopped thinking about what would we do next week and started thinking about what we would do in three years." Nicholas looked straight into Natalie's face. "I am the cause of our separation, Natalie. I asked Tracy for something she couldn't provide me." "Her father is a controlling man. He has never really awoken to the fact that his little girl is a grown woman with a life of her own. He is very good at jerking her around to behave in the manner he wants. When I realized that the depths of the emotional bonds I was forming, I realized that there was a problem. I wouldn't be able to accept this manipulation of her life - and by extension my own - if we were together permanently. I thought about things very hard before I told Tracy how I felt. "It was a raw and rainy Saturday. "I gave Tracy an ultimatum. "We would leave Toronto together. Go somewhere else to live. Somewhere away from her father. Where distance could provide her the room to live. If she wasn't willing to do this, I would leave her. I gave her a month to make a decision. I tried to be honest with her, Natalie, hard as that was on Tracy. I told her what my limits were, what I could accept. I didn't play head games. I had always tried to support her. I didn't withdraw that support during the month I gave her." They sat quietly. Then Natalie asked, "And at the end of the month, she said no?" "At the end of the month, she asked for another month," Nicholas corrected. "That was how painful the decision was to her. Either way was too much for her to deal with. She tried to delay having to make a decision at all." "And what did you do?" Natalie probed. "I kissed her, said 'No' and walked out of her apartment." The pain of that moment hung in the night air between Nicholas and Natalie. Nicholas sipped from his wine-glass. "I drove around Toronto after that for some hours and then went home. I hoped that the shock of what I had done would have provoked Tracy. I hoped to return to my loft to find the answering machine with a message from Tracy that would lay a ground work for us. It hurt me a lot to leave her, Natalie. At that point, I would have accepted staying in Toronto if I thought she was ready to seriously work at stopping her father's interferences in her life. "The machine was empty." Nick ate a piece of cheese. Natalie swirled the fluid in her wine glass. "That was what? Two months ago?" "Yes, something like that." "Is it why you started to work the night shift?" "Yes. It was too painful to work days in the same station house with her. Too awkward. The night-shift has trouble keeping people. It was easy to get approval to switch shifts." "Have you seen her since? Outside the station, I mean?" Nicholas said nothing for about ten seconds. "Yes. Once. Three weeks after I walked out on her. Tracy showed up on my door-step. She was crying and desperate to see me. I couldn't leave her out there in the night begging into my intercom. I had to let her in. Then things got complicated. I finally let her sleep with me, but I refused to be intimate with her. She cried herself to sleep on my shoulder. I left before she did in the morning. She took the tee-shirt I was wearing that night and never mentioned it later." Natalie started to speak. Found she couldn't. Then tried again. "Do you still love her." "Yes, Natalie. I do, to a certain degree. I do not think I could turn her away if she was in that sort of pain and I thought spending a night with me could help her heal. I can not casually slap aside someone who gave me what she did. "But, I also am not holding a torch for her. She will not leave her father. I can not live with her if she does not. I realize the impossibility. Tracy wants me, but she needs her father far more. I feel I have an obligation to her in certain regards, but I don't think we will ever have a relationship again." "We can't live together. I have already accepted that. Tracy will, but it will take her time - during which I might have to help her again." Nicholas's gaze was very steady. Very adult. "Is this a problem for us?" Natalie did have to think about that. "No," she said at last. "I think I would like it a lot less if you just dumped her and ran. I have a hard time finding fault with your compassion. And, your honesty with me." Natalie sipped thoughtfully from her glass. "If things go on between us, you have to keep being honest with me. I can accept a lot if I can trust your word. If I think you are lying to me or concealing things, there would be problems." Nicholas nodded. "Fine. I can accept that." He smiled wryly. "So, how am I doing on the test?" "What test?" Natalie returned immediately. "The relationship test. The little list of questions you've got in your head that you are slipping into conversation to see how I answer and add the points up. Am I doing all right?" Natalie smiled. "Not bad at all. You definitely know how to END a relationship well." Nicholas took that bantering comment with a grin and ate another piece of cheese. "Well," he said. "You do have me at a disadvantage." "How so?" "I am a homicide cop in this city and not a bad one. And I can't find much out about YOUR relationships. "Family? Friends? Old boyfriends? I'm actually rather glad that I knew about Sydney before I met him or my professional ego would be totally crushed." "Not a lot to tell, Nicholas. I keep a fairly low profile myself." Natalie swirled her wine-glass and looked out into the dark woods. "All of my immediate family are long gone. Father, mother, brother... I have a couple of...well... blood-kin I guess you'd say, who are really the only family I have left anymore. Sort of a surrogate stepfather and sister. We get together every once and a while. We are all pretty busy so our contacts are infrequent. "I've been between relationships for quite a while. The last one ended very messily and I haven't had the heart to take the risks again." "So, you are alone?" Nicholas asked. Natalie nodded. "Yes. I have dug myself a hole and crawled into it. It took a friend giving me a friendly kick to get me here." Nicholas nodded. "You'll have to tell me who that friend is so I can thank them." "I think I have to thank them first, Mr. Knight," Natalie said with a smile in her voice. "Now, would you please refill my glass for me?" And Nicholas did. Sunday June 18th 4:30 A.M. What was a very nice evening came to an embarrassing, hissing halt. Nicholas pulled the Caddy over into the break-down lane while steam geysered from around the seams of the Cadillac's hood. They rolled down to a halt and a billowing cloud of sweat antifreeze steam enveloped Natalie and Nicholas. Natalie looked over. "I'll admit this is more creative than the old 'run out of gas' ploy, Nicholas." She was trying to be funny and relaxing, but it didn't work very well. Nicholas flashed a tense, embarrassed smile and bound out of the Caddy. Natalie thought a moment, then opened the glove-box. There was a narrow flashlight. She took that and got out of the car as Nicholas yelped and swore once at himself while lifting the hood. With the flashlight, they rapidly found the problem. The hose connecting the water-pump to the radiator had split at the radiator end, venting coolant onto the ground. "Got a spare hose?" Natalie asked. "No, but I do have a couple of jugs of anti- freeze and a knife. This hose should still reach if I cut it off at the end of the split. I can then reclamp it and we can get home again. We just have to wait while this thing cools down enough to work on." Natalie stepped back from the hissing motor. "OK, we have a plan. Come and sit here on the guardrail - out of the way - and we'll just keep talking." There was nothing else to do, so Nicholas compiled. Sunday June 18th 5:40 A.M. "Nicholas. Stop the car," Natalie ordered sharply. Nick glanced around for what was wrong. No steam rose from the hood. The temperature gauge was steady. With the hose cut-off and reclamped and more coolant in the radiator, the Cadillac was acting like nothing was wrong. "Why? What's wrong." "Stop the car!" Natalie ordered, turning to face him head-on. Confused, Nick turned on his blinker and slid right and down onto the shoulder again to a stop. With the car safely motionless, he turned to look at Natalie. "What is wrong?" Natalie's gaze was fixed with concentration. Nicholas felt himself falling into her eyes. "Nothing is wrong. Everything is proper. I just need to ride in the trunk. You will drive to your home and park in the garage and let me out and I will spend the day with you." Nicholas blinked. "Ride in the trunk?" Natalie recoiled in a surprise that was masked by Nicholas's general confusion. "Why do you want to ride in the trunk?" Nicholas asked. Mind a blur, Natalie gestured at the lightening horizon. "Dawn is coming up, Nicholas. I can feel the sun already on my skin. I've got to get inside to the dark. The only safe place out here is in your trunk. I can't walk from a car to the door in the sun. Unless I spend the day in your trunk, I need a garage to get out. My garage has my car in it. We need to go to your place. OK?" She didn't wait for his answer, just got out of the Cadillac and walked toward the back. After a moment, Nicholas stepped out of the car. "You're serious," he said. Natalie nodded grimly. Nick considered and reached in to get the picnic blanket out of the Caddy's rear-seat. He opened the trunk and spread the blanket out on the hard trunk floor. Natalie gracefully climbed up into the trunk and curled over onto her side like a reclining cat. "Try to avoid the pot-holes," she said, reaching up to pull the trunk safely down over her. Nick stood for a moment on the side of the road before he shook his head and got back into the Cadillac. He flashed his blinker and pulled back up onto the road and continued toward Toronto below a brightening dawn sky. Sunday June 18th 6:10 A.M. The Cadillac purred into its garage. Nicholas flipped the door-close button and shut the Caddy's engine down as the electric motor started to shut the large loading dock door. Nick took his keys from the ignition and went to the Caddy's trunk and opened it. Natalie rolled over partially onto her back. "Nick, we have to be very careful. Direct sunlight is very dangerous for me. Any windows have to be heavily-draped and shuttered. Will you go ahead of me and get any window closed off?" "We have a problem right here, Natalie. There are windows in this door at my back, and I don't have shutters down here in the garage." Natalie started to wiggle and pull at the blanket under her. "If I am quick and put this over me, I should be OK. The stronger the light the worse my problem. Cut the light and you cut my problem." Natalie had the blanket in her hands. She swarmed up out of the trunk and in a whirl had the blanket about her head and shoulders, peering forth from the dark recess like a monk in his hood. She immediately went around the Caddy's side and deeper into the gloom of the garage, Nicholas slamming the trunk closed and following her. Nick caught up and led the way to the elevator up to the loft. "I left the window shades open," Nicholas explained. "Should I take the elevator up first and get them closed before you come up or do you just want to wait in the elevator while I close them?" In the windowless area at the elevator's foot, Natalie had the blanket wrapped around her shoulders like shawl. She looked more comfortable with brick and mortar between herself and the sun, but still uneasy. "I'd prefer that the windows were closed before I go upstairs," she said. Nick took the elevator up to his loft, found the remote and made sure all the window- shades had closed before he went back down to the ground floor to get Natalie. "All set," he said. When the elevator doors opened to the deep gloom of Nick's loft - a lone lamp throwing a circle of light by the fire-place - Natalie's face visibly relaxed. But her shoulders looked tight. And the muscles were incredibly stiff when Nick started massaging them. Natalie flinched at the abruptness of his hands, then arched her neck back as Nick dug into the hard muscles along the back-bone. "Sorry I didn't think of what was happening back on the high-way," Nicholas said. "I'm not use to thinking of the morning sun as dangerous." His hands were soothing on Natalie's body. Natalie's eyes were slitting with the warm heat of his caressing fingers. "MMmm. Apology gratefully accepted. Would you have a couch where we could do this, instead of the elevator." Nick laughed and took the blanket off her shoulders. "Why don't you make yourself to home. Find the stereo and put some good music on. I'll go down to the car and get the picnic baskets so I can get stuff into the fridge before it spoils. OK?" "So long as I get the rest of my back done," Natalie said in agreement and stepped off into the loft. Nick hit the down button. As he rode the elevator down, he had a silly child's melody singing in his head. And he realized it had been months since he had felt so at ease with the world. Nick gathered up the basket and cooler from the Caddy and checked to be sure that the door was secured. He walked back to the elevator and pushed the UP button with his thumb since both hands were full. The door opened and Alyce was standing in the elevator. She held a snub-nosed revolver in her right hand, dangling beside her hip, muzzle pointed into the floor. She smiled at Nicholas. "Get in," she said. "Give me the gun," Nicholas said. Alyce shook her head. "No. You have a choice. Get in and go up with me. I don't think I'll need the gun then at all. Or, stay here while I go up and deal with your girlfriend the vampire." Nicholas considered. There was a hard edge to Alyce that hadn't been present before. She was dangerous and he had to be careful. He stooped to put the picnic basket and cooler down. "No," Alyce stopped him with her voice. "Hold onto that stuff. Occupy your hands." Nicholas nodded and stepped into the elevator; Alyce backed as far away from him as possible. Alyce touched the UP button and the elevator started to rise. "What are you going to do?" Nicholas asked warily. "I am going to reveal your doctor for the vampire that she is before you fall completely under her spell." "And how to you intend to do that, shoot her?" Nicholas' voice was harsh. "No. Nothing so melodramatic. Nothing so dangerous to myself. If I say I'm going to shoot her you will do whatever you can to stop me. I intend to ask her to hold this." Alyce reached in her jacket pocket with her left hand and when she opened her fist a crucifix lay in it. "No person would object to just holding a cross to prove me wrong. Any vampire will burn badly with contact." "And the gun?" Nicholas wanted to know. "It was Peter's. It shoots a wooden dart with a captive-piston silent cartridge. It won't kill a vampire quickly, but a couple of wooden stakes in the heart will slow it down. When Natalie refuses to handle the cross, she might attack us. I intend to give the gun to you if it is possible. If something happens to me and you can get the gun...there is a speed- loader in each pocket of my jacket." The elevator stopped at the loft level. Alyce pulled the door open and Nicholas walked out into the loft. Natalie stood by the fireplace. She turned to the elevator as Nicholas came in. In that moment, seeing her in the dim twilight, face soft and delicate in the comfort of his own home, Nicholas realized how far he'd go to protect her. Nicholas knew that Alyce had stepped out of the elevator at his back by the change in expression on Natalie's face. "What is going on," Natalie asked. Nicholas shifted his grip on the cooler in his right hand. If he got the opportunity, he could throw it into Alyce' face and go after the gun in her confusion. "Natalie. This is Alyce Hunter. She is a friend of Peter Vincent. The man who was killed at the Raven on Monday." Nicholas turned sideways to he could watch both women. "Alyce thinks that Toronto is home to vampire colony and that you are a vampire. She wishes to prove this to me." Natalie absorbed this and considered Alyce with a single, penetrating gaze. Alyce shifted the grip on the pistol she still held aimed at the floor. Natalie turned away from Alyce to look at the crucifix Nicholas had hanging on the wall by the fireplace. "Nicholas, what is the history of this cross?" Nicholas looked at Alyce. Who did nothing. "It is an old family heirloom," Nicholas said. "It dates from the time of the Crusades when my mother's family lived in France. The family legend says that it was given to a relative who was a Knight by a beautiful woman as a talism for his safe return to her. The legend is that the talism failed. He never returned to the lady who gave it to him." Natalie smiled. "Legends are wrong." She turned abruptly to face Natalie and Alyce again. "When you prove I am a vampire, what do you intend to do, Miss Hunter? Kill me?" Natalie's voice got more scathing as she spoke. Alyce shifted uneasily. "No. Nicholas will probably have to do that." Natalie looked at Nicholas and moved forward a few feet closer to Alyce and her gun. Her gaze was very penetrating and alert and the pressure of it bore on Alyce when Natalie looked at her. "And why is it necessary to kill me?" "Because you are a vampire." "So you are judging me based upon my genetic makeup and deciding to kill me on that basis? That smacks of eugenics or ethnic cleansing." "Vampires are killers," Alyce said. "They are a danger. They must be eliminated in the same way a man-eating tiger or crocodile would be killed." "That is a very limited attitude. It assumes that there is no redemption for killers. No way that they stop killing and pay back for the harm they have done. You are a vampire. Therefore, you must die. No judge, no jury. Just judgement. "Shouldn't you hear the side of the accused, Miss Hunter? Understand what it is that you seek to kill?" Natalie's voice was terrifying in its deadly seriousness. Nicholas wondered if he was going crazy. He sought to rationalize things. "But there is no thing as vampires," he said. Natalie looked at him and smiled. "Yes, Nicholas. There are." Natalie lifted her arms and gently brought her hands down toward the ground in a pushing motion. She rose into the air. And hovered three feet off the ground. Her beautiful eyes shifted to liquid gold and her fangs dropped into razored curves. She glided forward in the air a few feet and then settled back to the floor, eyes ablaze and fangs wet. "Behold," she spoke in a harsh, almost animal growl around her fangs. "The subject of nightmare given form." Natalie closed her eyes. When she opened them, the vampiric glare was gone. In a few moments, her open lips didn't reveal fangs. She turned somber eyes to a completely startled Nicholas and a blatantly terrified Alyce. "That was no illusion. No trick of the lights," Natalie said to Nicholas. "I can repeat it if you don't believe. Do you believe that I am a vampire?" Nicholas shook his head as it to clear his eyes. "That was incredible. I want to say it didn't happen. But it did. If am woman who can fly and sprout fangs at will tells me that she is a vampire, then she is a vampire." "Good," Natalie said. "Then we all agree upon what I am. Now we all have to agree upon what I am not." Natalie turned her gaze to Alyce. "Alyce. I was made a vampire over eight hundred years ago. I spent hundreds of years reveling in the life-style. Hunting humans for sport as well as food. Killing whoever I thought would be tasty or different. "Over a hundred years ago, I started listening to the last pieces of my soul. It has been decades since I tasted human blood that wasn't freely offered to me by someone who knew what I was or was donating to help those in need. In that time I've harmed only a very small handful who were seeking to do me harm first. "I have held a string of medical jobs and as a forensic examiner for this city I have helped bring a lot of bad people to justice so they can harm no one else. "I am working to repay the debt that centuries of murder have caused." Natalie walked slowly over to stand within an arm's length of Alyce. "You've lost someone who meant a great deal to you. "Over seven hundred years ago, I lost someone who meant a great deal to me. A French Knight named de Brabant. Nicholas de Brabant. That cross," Natalie pointed to the relic hanging on Nicholas' wall, "was a gift from me to that Knight. He died with that cross under his armor. I had known him only a few hours, but I grieved for him so hard I was in physical pain. "With the centuries to reflect, I've realized that I hurt so bad because my subconscience saw him as my redemption. A man of sufficient power of will and character to help rid me of the vampiric nature that is destroying my soul." "I lost that man once, Alyce. "Somehow, someway, he has returned to me. "Nicholas Knight is Nicholas de Brabant." Natalie brought her templed fingers to her mouth for a moment as if she was praying. Nicholas wondered if she even realized what she had done as Natalie turned to include him in her plea. "Alyce. I want my own children. I want to be able to see a sunrise again. The darkness that is the world of a vampire has darkened my soul. I want very much to step back into the light. Nicholas and you are the key to that. I can not regain my mortality if you are dogging my steps or I have to add your life to those that I have spent. I need you to forgive me and leave me in peace. She turned to Nick and faced him head-on, ignoring Alyce and the danger of the gun she carried. "Nicholas. I know you are not 800 years old, but your spirit or soul is. You physically and mentally are the same man I knew as Nicholas de Brabant. I don't know how, but I know that you are the same man. The valorous Knight who promised me that he would return to my side even from the deepest depths of Hell. Our souls match. I can feel that even if you can not. I need you, Nicholas. I need someone willing to help me push back the night. You can give me the faith and hope that I no longer have enough of." Natalie tossed her hair lightly and a shiver ran through her back. "This ends today," Natalie said. "I have no further stomach for the life I'm leading. I need a question answered by each of you. Alyce, can you leave me in peace? Nicholas, can I ever be as strong a partner to you as Tracy was?" "If I can't face the coming night with Nicholas willing to be at my side and no fear of being uncovered as a vampire, then I will make things easier on us all. "I will walk out into the morning sun and implode." Natalie inhaled and exhaled and waited. After some moments, she spoke to Alyce. "Can you leave me in peace?" Alyce gestured with her free hand toward Nicholas. "You love him?" "Yes." Alyce brought her pocketbook in front of her hip and tucked the revolver away inside it. Her eyes were damp and her hand shuddered with suppressed emotions. "You are not what attacked me that night in the library. I will leave you in peace." Natalie turned to Alyce. "Nicholas?" Nicholas grimaced slightly. "You are asking a lot, Natalie." "Yes. More than you even realize," she said. "But will you give me the chance? The time to show you what I know?" There was no option really. "Yes," Nicholas said. "I'll give you the chance." And then he added, without conscious thought and to his own surprise, "My beloved." Natalie smiled. Tim Phillips timp@dec.anr.state.vt.us