Date: Tue, 7 Jan 1997 20:13:25 -0600 (CST) To: FKarchiver@fkfanfic.com From: CousinCp Subject: Leonardo Paints (-- to be archived) ---------------------------------------------------------------------------- Leonardo Paints by CousinCp (c) December, 1996 "You ask me how it is that I came to have my portrait painted by Leonardo? How could it be that THE Leonardo da Vinci could paint my portrait? Moi, Janette du Charme, by blood, a simple country girl of a minor degree of nobility. And then again by blood, a member of a much older, more select family. A creature of the night, immortal. Vampire. It is a story I have never told you, though an interesting one (if I do say it). I will try to be brief, though the story is a long one. A very long one indeed. Come, sit by the fire. Pour yourself a drink. It is a very special vintage. Rather precocious, but it finishes well. I think you will enjoy it. Make yourself comfortable. Where shall I begin? I was lost. Not in direction, for I had no particular direction to be lost from. I was looking for a direction. I had recently decided to pursue my own interests. To strike out on my own. To leave my master and my lover. To leave the nest, as you might say, to try my wings. I sought out the gaiety of life at court. It was Paris in the 1490s. After decades upon decades of traveling with my Master, LaCroix, and then also with my vampire "brother" Nicola (whom I had taken for my lover), I decided to return to Paris. As you can imagine, I found it very much changed. A city can change tremendously in one decade; I had been gone for almost 20. I was cautious in those days. Sometimes to the point of starvation. In all my wanderings about Paris, I never encountered any others of our kind. I felt this oddly curious, but at the same time satisfying. I never let it make me careless, though. I took a rather haughty delight, I must say, in being a one-of-a-kind. Unique. Special. I was enjoying very much the life at court. I wanted nothing to spoil it. At times I would wander far into the country to hunt and feed, if I fed at all. Some nights I would venture into the seedy parts of the town, into raucous, anonymous little bars where disguised as a common woman, I could be certain no one would recognize me. And I would pretend to drink their meager wine, sing their songs, maybe have a dance or two. And then, in my own good time, I would satisfy my hunger, still always cautious. After a time, I persuaded a young nobleman to take me into his circle of friends, to make the proper introductions. I believe you know what I mean when I use the word "persuade". I had assumed the identity of a wealthy widow, Madame de Berry. I had rented a lovely, rather opulent house and had maidservants and coachmen. I entertained frequently, giving lavish dinner parties. The wine and meat were always the finest. I made certain of this although, of course, I would only occasionally have a small sip of the wine. Those of our kind, we prefer a richer vintage. I see you smile, and I know you concur. There was always music and laughter ... and gambling. Always fun to gamble with mortals whose thoughts you could read. Not like cheating! It still takes skill to play the cards properly. And I am always careful to lose just enough to avoid suspicion. I even entertained several proposals of marriage. Yes! The first one was such a shock that I must confess I laughed out loud. The poor man was humiliated beyond words. I had to console him and comfort him. I had not meant to insult him. Luckily, I was able to make him forget his embarrassment. Indeed, he "forgot" the entire episode. Anyway, after a brief time it came to pass that I met Louis, the duke of Orleans. Louis was a very handsome man and kind. When I met him, I instantly felt a kind of common bond with him. Here was a man I felt I could trust. This feeling was something I had not known for an interminably long time. We would sit for hours and talk of philosophy, religion, politics. I suppose I should say HE talked. I listened, sometimes impatiently, for as I'm sure you can agree the affairs of mortal men have very little significance to our kind. Empires come and go and exert little influence on immortals. And also the hunger would sometimes rise up in me and I would become desperate to feed. But until such time, I would listen, enthralled with his ideas and the power of his convictions. He told me once that he had been in prison for 3 years over some squabble with his cousin Charles. This is what he told me and how he said it. In my naivete, I thought that he meant some sort of brawl had caused a minor loss of property. How could I have imagined the truth? Yes, I was at court, but he had merely been introduced to me as Louis, the duke of Orleans. In my ignorance, I never made the connection. It later came to be one of my most valuable lessons: be sure you know with whom it is that you are dealing. It occurred to me on more than one occasion that my friend Louis might make an excellent companion for me, for all time, and I considered the possibility of making him mine. Bringing him across. But something always made me stop. Perhaps it was that this lesson had never been completely taught to me. I knew all the theory, but the actual practice, LaCroix had told me, was almost an artform in itself. And one that at my young age of only a few hundred years, he never saw fit to allow me to practice. Besides, Louis seemed somehow too good, too kind. He seemed destined for other, perhaps greater, things. I have always believed that the world would be a better place with men like Louis in it. Don't you agree? And this, as it happened, was exactly the truth. In case you haven't figured it out by now, the cousin Charles turned out to be Charles VIII, king of France. And the "squabble" that had earlier sent Louis to prison turned out to be his attempt to take the throne. The following year, my friend Louis was crowned King Louis XII of France. Well! You may think I digress, but as I said it is a long story how I came to meet Leonardo. He was, after all in Italy, and my story has not yet taken me out of France. Allow me to continue. The year was 1498. Louis had just become Louis XII, and he desired a new wife. From Rome was sent Cesare Borgia, official emissary of his father, Pope Alexander VI, bearing the annulment which would make Louis' first marriage disappear. Although these two men were remarkably different in demeanor, temperament, and beliefs, they instantly struck up a bond, a friendship. They would spend hours together talking, making plans. They were often seen together at the theatre or the opera. I would sometimes accompany them or meet them there. Our social circles would often entwine. Frequently they would come to my house at the close of the evening, along with other of our mutual acquaintances. In fact, it was at my fireside that they hatched the plan to invade Italy. (At such times, I was grateful for LaCroix's insistence that I learn Latin and his patience in teaching it to me. In the days of my youth, a girl did not have a need for such lessons. But in my maturity and my "vocation" I had every need for being quick to learn new languages. Latin seemed to be the key to unlocking many linguistic doorways.) Later that night, after the invasion plans were given birth, as Cesare and I lay together in my bed, it was decided I would also go to Italy. Yes, he and I had become lovers. How can this be, you ask? Did he not know, did he not guess what I am? Never! I told you, I was very cautious in those days. Cesare was very different from any other man I had known. He defied convention, and this touched my rebel's heart. This was a great part of his charm. He spat in the face of morals and rules, and yet he was able to befriend men as kind and just as Louis. And he was drop-dead gorgeous, as they say these days. He was also completely trustworthy, in his way. If he said he intended to kill you, you had better set your affairs in order. And if he said he would die for you, that was exactly what you could depend upon. He made such a vow of loyalty to Louis. And then we started off for Italy. Milan. 1499. This is where I met Leonardo. This is also where my association with Louis and Cesare came to a temporary end, as they had a full-time job just conquering the region. The exact details of the battle that broke out when they entered Milan are insignificant to my story and can all be had in any reputable history book. I am certain that if you are interested, there would be a much more accurate account than what I could offer. My views of mortal history (although sometimes first-hand) are always somewhat, shall we say slanted. I see what I want to see, as I am certain you can understand. Leonardo. What can I say about Leonardo? He was one of the most intelligent men I have ever met. A bit eccentric, perhaps, as are all extremely intelligent individuals. They have a bit of trouble relating to us common intellects. One time I allowed myself to listen in on his thoughts, out of curiousity. I was amazed and almost overwhelmed at all the noise rattling around in that wonderful brain of his! It's no wonder he seemed a bit distracted at times with all those ideas going round in his head! Leonardo! He was in his late 40s when I met him. He reminded me somewhat of my father, whom I had not thought of in so many years. So many. My father, whom I had never quite been able to please or make proud of me, as he had been proud of my brothers. My father, who had arranged my marriage which later failed, which is how I came to be in a brothel in Paris, which is where I met LaCroix. My father ... but then, that is another story. Where was I? Ah yes, Leonardo. He had been in the service of Duke Sforza in Milan. The duke fled the country when Louis and Cesare's troops invaded, as did many of the court. Both Louis and more particularly Cesare knew of Leonardo as one of the great artists and intellects of the region; in fact, of the time. I was certain they had no intention of harming him, but neither did they want him in the country at present. A country at war has little need of the arts. Better he should return later to build the monuments to the conquering heroes. One of the last times I saw Louis was when he and Cesare introduced me to Leonardo. From the first moment I met Leonardo, I felt that he somehow knew everything about me. It was most disconcerting. He had a keen eye, and a rather annoying habit of staring. I later came to know that he was such an ardent observer that he often would become so intent on his subject as to have little regard for his or her feelings. After all, his subject was often a tree, a machine, or as I later came to know all too well, a corpse. He reminded me a little of LaCroix in the way that he would observe silently for a time and then, when least expected, would bring forth an extremely astute, often impudent observation. His manner was not so cold as LaCroix, however. Leonardo was in the world but not of it, if you catch my meaning. LaCroix, on the other hand, is in the world only when he chooses to be or has to be. He prefers to keep his distance. It helps him keep perspective. But I am so sorry! I continue to digress. Please, freshen your drink while I collect my thoughts. Hmmmm. The second time I saw Leonardo, I had sought him out. I longed to learn more about him. I wanted to know if my sense had been correct, that he had somehow discerned that I was not quite -- normal. That I was something more than human, or perhaps something less. He was packing, preparing to leave, as ordered (or was it requested?) by Louis. We sat and talked for a time, exchanging pleasantries and getting acquainted. He told me that if only he had known me a few years earlier, I should have modeled for a painting he had just completed. This had been the cause of the interest he had shown in me. I could read in his thoughts that he had no suspicions about my nature. He was only interested in me as a subject for a painting. Indeed, he became very animated in insisting that I should pose for a portrait. It must be the very next day, as soon as it was light! We must begin without delay, as he was being forced to leave the region. I must admit I laughed out loud at the prospect. In the daylight, imagine! If only he could know how ridiculous that was, how out of the question. He frowned when I laughed at him and became more insistent. I explained that it was quite impossible as I never go out in the light of day. I claimed, as I often do, that this was an eccentricity of mine. I explained that it was my belief that the sun has a terrible aging effect on my delicate skin, and I had vowed never to subject myself to that abuse. You laugh! Hmmmph. But it works. You should try it. Now, you know, we can blame the ozone or some such environmental concern. It works much to our advantage. Anyway, his face and his manner suggested that he was almost inclined to believe what I was saying to him -- but not completely. And it did not stop him from imploring me to sit for him. I could see that he must be mentally working out the possibility that he would have to paint a portrait by candle or fire light if he wanted to paint me, and I knew that he would love to accept such a challenge. He was a great problem solver and innovator. He loved a good fight, and he always gave it everything he had. During the course of our conversation, I found out that he was bound for Florence by way of Mantua and Venice. I decided I wanted more of his company, I found him so very interesting and charming. I told him that by happy coincidence, I too was bound for Florence. I would be most pleased if I could visit him again in Mantua and Venice and Florence. He suggested that we travel together. We could share a coach. Surely this would not betray my vow to never go out in the daylight. I must certainly travel by day, as no one traveled by night. It was too unsafe. I smiled at his insistence and his notions. How could he know how very different our lives are from those of mortal men? Hmmm. He was so demanding that I felt I could almost do as he suggested. Why could I not travel by day? With dark curtains on the coach ... But then the reality of it came thankfully to bring me to my senses. What if I should fall asleep in his company? What a shock that would be! I might even wake up and find myself in a coffin, presumed dead and hastily buried! Mon Dieu! I shudder at the thought! I thanked him most kindly for his offer, but made my excuses that I did indeed travel by night. I would be fine. I would meet him again in Mantua and Venice, then in Florence. And I would be glad to sit for him, should he like to paint my portrait. Only it must not be in the day. He stared at me for a long moment ... perplexed, I could tell. Then, slowly, he smiled and nodded slightly. he said I was there in Mantua when he arrived. I had, of course, chosen our faster mode of traveling by air and arrived days ahead of him. He was amazed to learn I was there before him. I did not bother to offer explanations as I somehow desired to keep him curious. I sometimes indulge that playful side of my nature. It was in Mantua that he made a first sketch of me. Indeed, I expressed some curiousity about the sketch and he told me that he often made rough drawings of many varied subjects. It sometimes helped him to gather his thoughts. Today we would call it "doodling", but in those times paper was a precious commodity. It seemed quite extravagant to gather one's thoughts thus. On we went to Venice. I arrived there before him, naturally -- or should I say un-naturally! Hmm Hmmm. Anyway, the city was a delight. I had never seen anything quite like it and I found it most interesting. Leonardo told me on the first night I saw him in Venice that he would like to begin my portrait. Or to at least experiment with pigments and poses by candle light. I agreed. He filled the room with candles and built up the fire very bright indeed. Then he began mixing his pigments. I could see him at times frowning deeply, lost in thoughts. Finally, towards midnight, he touched brush to canvas. Only once. Then he stood back and stared at it, frowning again, for a very long time. He moved the easel, moved some candles, moved my chair, then began again. And again it was brush to canvas then frowning and staring. By then it had been hours. I felt ravenous hunger and I told him that I must retire to my rooms for a refreshment. I could return in an hour, if he would like to try again. He snapped out of his thoughts and offered me wine and bread. Couldn't I stay for just a while longer? He really thought he was beginning to figure it all out. I thanked him sweetly, but told him I simply must have some time to myself. I was sure he must understand that a lady has needs to be attended to. He blushed slightly at this, and I smiled behind my hand. He was so boyish in many ways. A very charming trait. When I left him, I walked for some distance. Such a beautiful evening. Cloudless and cool. Not many people about at such a late hour. Eventually I came upon a tavern open late in a rough part of the city. I went in and encountered a very friendly not-too-young man desirous of some company. I left with him directly and in a nearby alleyway I sunk by eager fangs into his filthy, chubby neck. The blood shimmered inside me and warmed me, more so that he had been drinking heavily. It made me giddy and very merry. His life had been full but lately sad. I experienced it all as I drained it from him, then I disposed of the body. I walked around for a while longer, delighting in the beauty of the night and remembering the experiences I had shared through the taking of the blood. Eventually I went back to Leonardo. When I re-entered his rooms, I found him sitting sullenly by the fire. As I walked in, he looked at me as if I were some creature he had never seen before. I was instantly struck with a fear I had not known, and I searched his thoughts for the reason of it. It seems he had followed me when I left his rooms. Not exactly intending to spy on me, but he merely happened to be walking in the same direction, at not too great a distance behind me. He had seen me enter and then leave the tavern. Curiousity had forced him to follow me and the man into the alleyway where he had seen what he should never have seen. He saw me take the blood and take the life and dispose of the remains. I told him, sensing his fear. He stared at me, bolder now. His scientific mind was aroused at the prospect of a discovery such as no one else had ever made. I see you are shocked at what you are hearing. Believe me, I was shocked as well. Even more so when I tried to erase his memories of the events and found I could not! Yes, Leonardo was one of those rare mortals whose thoughts cannot be penetrated by us, or at least by me. Perhaps one older and more experienced ... such as LaCroix ... would have been able to deal with it, but he was not there and I was not able to do so. And now you are truly appalled. Allow me to continue my story. It gets still more interesting. Since I was not able to erase the events of the evening from his thoughts, Leonardo began to weary me with thousands of questions about our kind. He wanted to know literally everything that I knew about vampires. I knew that I would have to kill him, and so I saw no harm in indulging what amounted to his last wishes. I told him everything I knew or had ever heard. Every truth or half-truth or suspected truth poured forth from my lips. Occasionally I would again try to mesmerize him and gain control of his mind, but I could not. It was more the contrary, as though he had control of my mind! Then, after he was silent for a few thoughtful moments, he spoke. I could see he recognized my amazement at this comment. I began to suspect that he meant to try and strike some kind of bargain with me. It was his tone and his manner. He was charming me as I might have tried to charm him, to gain his trust, and then prey upon him. I began to fear where this was leading. He continued. What he proposed was appalling to me and even, perhaps, a little depraved. He would keep my secret, he vowed, but it would not be without cost. He must be allowed to ... examine ... and study ... the remains. So much for my extreme caution! All was lost, it seemed. How was I to escape from this web he was weaving? I did not desire to kill him. You will recall that I feel the world is a much better place with the really great men allowed to live in it. Leonardo was a really great man. A bit odd, perhaps even macabre. But it could not be denied that he was a great man and destined for great things. I decided to indulge him. Now I know you cannot believe your ears. I see the look on your face. I know. It is not to be allowed. And yet, I did allow it! I hesitate to tell you for just how long I allowed it to continue. Let us simply say that some of the dates attributed to Leonardo's anatomical studies are ... inaccurate. You may know that the details about where he obtained the cadavers for these studies have always been subject to speculation. Well, I can only say that for the two years our association continued -- from that night in Venice, on to his home of Florence, until his return to Milan -- I ... shall we say ... kept him ... busy. He filled notebook after notebook with sketches of the internal workings of the human body. Sometimes he would lose patience with his inability to understand what he was seeing. He wanted not only to chronicle, but to interpret and explain what was what, and what it all meant. His insight put him years ... decades! ... ahead of conventional scientific discovery. He had no interest in making his notebooks public, however. It seemed to be enough for him to have the knowledge for himself. On one occasion I saw him, in a fit of frustration, toss an entire notebook into the fire. Weeks of work were destroyed. He paced and swore and finally sat before the fire watching the curling embers of the pages turning into ash before his eyes. I remember touching him lightly on the shoulder, reassuring him, telling him that perhaps we could begin again. That was the night he finished my portrait. He had only barely begun it, as you recall, when we began our grisly joint venture into scientific studies. Well, he painted constantly that night, with wild, stabbing brush strokes. He was as a man possessed. Just before dawn, he threw down his brush and threw himself into a chair before the last coals of the dying fire. He completely ignored me and I believe that he perhaps dozed or collapsed then. I quietly crept around to catch a glimpse of the portrait and was amazed at what I saw. He painted me as he no doubt saw me. Not as the mirror showed me, but more than any mirror could show. And less. What I saw was a heartless, bloodless fiend of the night. Beautiful and yet horrible. Appearing human, yet not human. A woman, yet not a woman. I could see in the work that he despised me for what I was. And loved me for it. It was then that I knew our association must end. I knew I had to leave him. If I did not leave, one of us would have to die. I did not intend for that one to be me. He did not know where I slept, but I knew that he could find out if he wanted to. And in learning the location of my lair, he would be able to dispatch me to hell if he should choose to do so. I fooled myself in thinking I was still cautious, as I have said I was in that era. But I had become careless in my close association with Leonardo. Whenever we allow ourselves to become close to a mortal, we take our lives in our hands. After all, they can go about in the day when we cannot. They can find us where we rest, so helpless. And if they choose to do so they can destroy us then. I knew it was time for me to move on. I never saw Leonardo again after that night. I left Florence and never returned. I did go back to Cesare for a time. I had missed him, and as he was the Duke of Romagna now, things had settled down for him considerably. He was as fiery as ever and I greatly enjoyed his company. I found that this time was different with him, though. He began to be suspicious about me. About what I was. About what made me different from other women. It seems that my closeness with Leonardo had destroyed some barrier that I put up between myself and mortals. Or perhaps Cesare was simply being more attentive to me now. Or more cautious. Regardless of the reason, I knew that I must leave Cesare and never return to him. I made my excuses to him on our last night together. As I packed later that night, a knock came at my door. When I went to open it, I found my portrait by Leonardo sitting in the doorway. No one was there and neither could I sense the presence of anyone, whether mortal or vampire. It was as if the portrait had brought itself to my door, intending not to be left behind. I packed it carefully, gratefully, and then set out to rediscover myself once again. I kept it with me as you know for centuries until I saw fit to leave it to LaCroix as a sign of my love and faith. A message to him and to Nicola that they would not see me again soon. A thing to remember me by, should they choose to remember me at all. And so! Now you know. It was a rather amusing tale to fill an hour before dinner, is that not so? In the eternity that stretches before you, I am certain you will have opportunities to shape the future of mankind. Be most prudent! May you be so lucky as I was with Leonardo. May you be more cautious and wise. And always heed your master while you are young. Do not be too headstrong when ... and if ... you seek your independence. Remember we must be ever vigilant in concealing our existence from mankind. Did Leonardo ever speak of our kind to any living mortal? I do not believe so. No, I was never able to erase his knowledge of what I was, nor was any vampire that I know of. He guarded our secret as his own private treasure and carried it with him to his grave. Now come, let us away into the night. The hour grows late and I am absolutely STARVING!" ## Finis ## CousinCp "What a wonderful thing humanity is: passionate, intelligent, inquisitive, generous, full of hope and joy, noble of spirit, and above all, delicious!" LC/soundtrack